Spring from <i>The Four Seasons</i> Cover Image

Spring from <i>The Four Seasons</i>: 6 Trumpets Score & Parts

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Spring from <i>The Four Seasons</i> Cover Image

Spring from The Four Seasons: 6 Trumpets Score & Parts

By Antonio Vivaldi / arr. David Marlatt

Level: Medium-Difficult

Item: 81-TE12211

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Description
This arrangement uses flugel horns to contrast the brilliance of the trumpets. Cup mutes are used in the middle movement to allow the "barking dog" and the solo "sleeping goatherd" to be heard clearly. The top trumpet part works well on piccolo in the outer movements.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
Page Count: 24
ISBN10: 1-55473-877-6
ISBN13: 978-1-55473-877-9
UPC: 685462018789
SKU: 81-TE12211
Instrumentation: 6 Trumpets

More about this title

About the Composer: Antonio Vivaldi

Antonio Vivaldi (1678-1741) was a Venetian priest and virtuoso violinist whose prolific output shaped the concerto grosso and established many conventions of the Baroque instrumental tradition. His Four Seasons stands as one of the most recognizable works in classical music, a cycle of four violin concertos paired with sonnets that depict seasonal imagery and weather. Vivaldi's genius lay in his ability to blend vivid programmatic storytelling with rigorous musical architecture, creating works that sound as fresh to modern ears as they did three centuries ago.

Why we love this

This arrangement captures everything that makes Spring so beloved while reshaping it for a brass ensemble that can sustain the work's energy and brilliance across six parts. Marlatt's instrumentation choices are smart: the flugelhorns provide warmth beneath the trumpet brightness, and the strategic use of cup mutes in the middle movement keeps the texture transparent enough for programmatic details to land without the ensemble drowning out those delightful barnyard touches. It's a genuinely musical arrangement that respects Vivaldi's original conception while giving brass players a chance to claim a masterwork.

What to expect

Spring bursts with energy and joy, painted in brilliant brass sonorities that capture both the celebratory vigor of the season and its gentler pastoral moments. The middle movement shifts into intimate storytelling, where the muted textures and programmatic details invite the ensemble to think like soloists, while the finale gallops forward with the kind of virtuosic momentum that makes Vivaldi's music feel alive.

Who it's for

Six advanced high school or college trumpet players seeking substantial ensemble repertoire that challenges both technical facility and musicianship. This arrangement also works for competitive brass sextet programs, community bands, or festival ensembles looking for a masterwork that carries real musical weight alongside crowd appeal.

How to get the most out of it

  • Balance the top trumpet part carefully against the flugelhorns in the outer movements; the trumpet should lead but never feel isolated from the harmonic foundation beneath it.
  • Treat the cup mutes in the Largo with precise control. The sudden shift from open to muted sound should feel natural and unhurried, not like a mechanical switch.
  • Lock ensemble articulation across all six parts in the fast passages of the opening and closing movements; Vivaldi's rhythmic drive depends on rhythmic precision from the full section.
  • Consider doubling the top trumpet on piccolo trumpet in the outer movements as the description suggests, but rehearse the transition carefully so the timbral shift enhances rather than distracts from the line.

How to use it

Program this as an anchor for a concert built around seasonal or programmatic themes, or slot it into a mixed brass concert alongside lighter entertainment pieces to show the full range of your sextet's capability. Its immediate appeal and well-known melodic content make it ideal for young artists to build confidence before tackling more abstract modern works.

Skills your students will build

  • Balancing multiple trumpet parts with complementary (flugelhorn) textures
  • Sustaining lyrical phrasing in the Largo while managing cup mute technique
  • Executing rapid articulation and passagework in the Allegro sections
  • Ensemble blend and rhythmic synchronization across six parts
  • Managing dynamic contrast between full brass sonority and transparent orchestration

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