Splish Splash: 3-Part Mixed Choral Octavo
Words and music by Bobby Darin and Jean Murray / arr. Teena Chinn
Item: 00-PO-0006765
Minimum order quantity: 20 copies
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More about this title
About the Composer: Bobby Darin
Bobby Darin (1936-1973) was a multi-talented entertainer who rose to prominence in the late 1950s with infectious pop standards and novelty songs. His charismatic vocal delivery and ability to craft memorable melodies made him a fixture on radio, television, and in live performance. Darin's catalog remains a reliable source for choral arrangers seeking material with immediate appeal and genuine musical substance.
Why we love this
Teena Chinn's arrangement captures what made the original irresistible—that propulsive, playful energy—while tailoring it for modern mixed ensembles. The three-part voicing sits comfortably across SAB ranges, making it accessible without sacrificing the tune's swagger. Audiences recognize it instantly, which means your singers get the reward of genuine audience engagement from the first notes.
What to expect
Nostalgic yet contemporary, with a playful bounce that invites movement and engagement. The arrangement preserves the song's carefree summer spirit while grounding it in accessible three-part writing that singers can master quickly and perform with personality.
Who it's for
Directors programming concerts for younger or early intermediate mixed choirs who need material with genuine style and instant memorability. This works equally well for choirs that want to build confidence through recognizable, crowd-pleasing repertoire or for groups looking to program secular pop literature alongside traditional fare.
How to get the most out of it
- Anchor the rhythmic groove in the rhythm section and bass line; this song lives in its pocket, so lock the tempo early and keep it consistent through all verse and chorus sections.
- Bring out the call-and-response moments between parts to highlight the playful character of Darin's original arrangement.
- Keep the upper voices bright and forward in the mix during the main hook to ensure the melody cuts through the accompaniment.
- Work dynamics carefully in the transitions so the energy builds naturally toward the final chorus rather than peaking too early.
How to use it
Program this as an upbeat set-closer or a fun opening number for a concert that mixes eras or styles. It pairs well with other pop standards from the Alfred series or with light jazz and novelty numbers, and it's equally at home in a casual concert setting or a more structured formal program where you want to shift the mood.
Skills your students will build
- Rhythmic independence in a groove-based arrangement
- Three-part voicing and blend in SAB ranges
- Diction clarity in a fast-paced, rhythmically driven text
- Musicality in call-and-response passages
- Confidence in performing recognizable, audience-friendly literature