Sparklejollytwinklejingley (from the Broadway musical Elf): SAB Choral Octavo
from the Broadway musical Elf
Lyrics by Chad Beguelin, music by Matthew Sklar / arr. Andy Beck
Item: 00-PO-0001430
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Matt Sklar
Matt Sklar composed the music for the Broadway musical adaptation of Elf, bringing the warmth and whimsy of the beloved film to the stage. His work in musical theater spans both original compositions and adaptations, with a gift for writing melodies that capture the emotional heart of a story while remaining accessible and engaging for audiences.
Why we love this
This arrangement captures the infectious joy of the original without oversimplifying the harmonic language, giving your singers something genuinely fun to perform while keeping the piece musically substantive. The movement and staging suggestions built into the score transform a song into theater, making it work as both a choral moment and a full production number. SAB voicing means you can program this with confidence across a range of ensemble sizes and voices.
What to expect
Imagine the pure, unfiltered Christmas enthusiasm of someone encountering the holiday for the first time, expressed in a melody that bounces with infectious energy and lyrics that embrace delightful absurdity. The arrangement sparkles with rhythmic vitality and harmonic freshness, creating a soundscape that feels both contemporary and timeless in its celebration.
Who it's for
Directors building a holiday concert that leans into theatrical entertainment rather than reverent tradition will find this piece invaluable. It works equally well for high school choirs, adult community ensembles, and middle school groups with solid sight-reading skills and a willingness to embrace physical comedy.
How to get the most out of it
- Commit fully to the rhythmic energy in the accompaniment; the recorded track moves with theatrical drive, so use it to lock your ensemble's tempo and groove from the first rehearsal.
- Treat the unison sections as moments to build clarity and projection before moving into the three-part harmony, which will make the harmonic colors shine by contrast.
- Work through the staging cues early in rehearsal rather than waiting until final polishing; the movement is intrinsic to how the piece communicates, not an afterthought.
- Balance the playful, almost vaudeville quality of the melody with clean diction; the humor lands only when your singers pronounce the whimsical text with precision and energy.
How to use it
Open your holiday concert with this piece to set an energetic, joyful tone, or place it as a closer to send audiences home smiling. It pairs beautifully with more traditional seasonal repertoire, offering the contrast that keeps a concert program dynamic and memorable.
Skills your students will build
- SAB voice independence in a theatrical context
- Rhythmic precision with syncopation and groove-based accompaniment
- Character development and physical awareness in choral performance
- Clear diction and projection while maintaining comedic timing