Sparklejollytwinklejingley: TTBB Choral Octavo
from the Broadway musical Elf
Lyrics by Chad Beguelin, music by Matthew Sklar / arr. Andy Beck
Item: 00-PO-0006444
Minimum order quantity: 20 copies
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Description
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More about this title
About the Composer: Matthew Sklar
Matthew Sklar is a composer and lyricist who has written extensively for musical theater, film, and television. His work on the Broadway musical Elf brought his distinctive style of contemporary pop songwriting to a beloved holiday classic, creating music that balances theatrical flair with genuine melodic charm and accessibility for performers at all levels.
Why we love this
Andy Beck's arrangement captures the infectious energy of the Broadway original while crafting a TTBB piece that sounds full and celebratory without requiring a massive ensemble. The flexible voicing options mean you can perform this with TTB, TBB, or full TTBB depending on your roster, making it realistic for directors juggling mixed audition results each season.
What to expect
Sparkly, relentless fun. The piece bounces with unabashed joy and whimsy, built on the kind of pop sensibility that makes audiences lean forward rather than settle back. There's an infectious optimism in every phrase that's genuinely hard not to smile through, whether you're singing or listening.
Who it's for
This arrangement works for any TTBB choir seeking holiday material with immediate audience appeal and strong theatrical roots. It's particularly valuable for groups that need flexible voicing options and want something that feels polished and contemporary rather than traditional.
How to get the most out of it
- Lock the rhythmic precision in the syllabic passages; the jingle-bell style articulation only lands when the whole ensemble speaks rhythmically as one.
- Lean into the theatrical attitude rather than oversinging the melodic material. This piece thrives on personality and clarity, not weight.
- Use the recorded accompaniment to establish the groove and tempo in early rehearsals, then gradually pull back your reliance on it so the voices can breathe and lead.
- Highlight the alto and tenor lines when they carry the primary melody; bass and baritone don't just support here, they frame and color the sound.
How to use it
This works beautifully as a concert opener or closer where you want immediate energy and goodwill from the audience. Program it alongside more traditional holiday literature or other contemporary pop arrangements to show range and keep pacing lively throughout your concert.
Skills your students will build
- Rhythmic articulation and syllabic clarity in pop idioms
- Flexible ensemble voicing and part independence
- Theatrical communication and character work in secular holiday music
- Blend and balance across four-part TTBB texture