Sov, Sov, Sov! Cover Image

Sov, Sov, Sov!: Brass Quintet Score & Parts

$15.00 USD
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Sov, Sov, Sov! Cover Image

Sov, Sov, Sov!: Brass Quintet Score & Parts

Traditional Yiddish Song / arr. Ryan Meeboer

Level: Easy-Medium

Item: 81-BQ19498

$15.00
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Description
This piece is a jump swing version of the traditional Hanukkah song. Arranged in the style of Louis Prima's "Sing, Sing, Sing," this chart is sure to get audiences dancing in their seats. Performers will also enjoy this, as it is a fun, energetic piece where every player gets an exciting part to play. While solos are written in, chord changes are also included for players who wish to improvise instead.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-77157-664-2
ISBN13: 978-1-77157-664-2
UPC: 685462026654
SKU: 81-BQ19498

More about this title

Why we love this

This arrangement captures the exuberance of swing era brass writing while honoring a meaningful holiday tradition. Every player lands genuine musical moments rather than padding a texture, and the option to improvise over written chord changes invites performers to take real ownership of the chart.

What to expect

Pure joy in brass. The jump swing style creates an infectious, propulsive energy that invites toe-tapping and genuine happiness from the stand. It's the sound of a holiday party where everyone's having a genuinely good time.

Who it's for

Brass quintets looking to perform seasonal repertoire that feels celebratory rather than reverent, and ensembles with performers who enjoy the swing idiom. This works equally well for intermediate high school quintets as for community or professional brass groups.

How to get the most out of it

  • Lock the articulation of the section hits early in rehearsal. The written rhythms need crisp, unified tonguing to land the swing feel cleanly.
  • If players choose to improvise, establish what harmonic context or solo length you want before the concert. Even loose improvisation works better with clear boundaries.
  • Balance the energy between solo passages and full ensemble moments. The jubilant character depends on contrast and clarity of texture.

How to use it

Program this as a closing piece on a winter concert or as a welcome opener that sets a festive tone. It pairs well alongside both serious seasonal literature and other concert openers that energize an audience.

Skills your students will build

  • Swing articulation and rhythmic feel in a jazz idiom
  • Balanced ensemble playing with prominent solo passages
  • Reading and executing written chord changes for improvisation
  • Stylistic interpretation of 20th-century American brass writing

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