Souvenir d'un Lieu Cher, Op. 42; No. 3: Melodie Cover Image

Souvenir d'un Lieu Cher, Op. 42; No. 3: Melodie: Full Orchestra Conductor Score & Parts

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Souvenir d'un Lieu Cher, Op. 42; No. 3: Melodie Cover Image

Souvenir d'un Lieu Cher, Op. 42; No. 3: Melodie: Full Orchestra Conductor Score & Parts

By Peter Ilyitch Tchaikovsky / arr. Alexander Glazunov

Item: 36-A220102

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Description
SOUVENIR D'UN LIEU CHER (Memory of a dear place) is a set of three pieces originally written for violin and piano written around the same time as Tchaikovsky's Violin Concerto. The piece was finished in May 1878 while Tchaikovsky was living on an idyllic country estate in the Ukrainian village of Brailov. This version was orchestrated by famed Russian composer, music teacher and conductor, Alexander Glazunov. The third piece in the set, "Mélodie" showcases Tchaikovsky's mastery of melody. Tchaikovsky also described it as "chant sans paroles" (song without words) with a song like quality throughout the piece. Instrumentation: 2.2.2.2: 2.0.0.0: Str(9-8-7-6-5): Solo Violin in set.

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Additional Details
Series: Kalmus Orchestra Library
Publisher: Keiser Productions, Inc.
UPC: 735816070342
SKU: 36-A220102
Instrumentation: Full Orchestra, Solo Strings with Ensemble

More about this title

About the Composer: Peter Ilyitch Tchaikovsky

Peter Ilyitch Tchaikovsky (1840-1893) stands as one of the most performed composers in the orchestral repertoire, celebrated for his gift for unforgettable melody and emotional directness. His works span symphonies, ballets, concertos, and chamber music, each marked by the Russian Romantic sensibility and technical mastery that shaped concert music for generations. As a teacher at the Moscow Conservatory, Tchaikovsky profoundly influenced Russian musical education and composition practice.

Tchaikovsky's approach to orchestration became increasingly sophisticated throughout his career. He understood how to voice melodies across an ensemble with crystalline clarity while maintaining rich harmonic color, a skill evident in his later orchestral works and in orchestrations like this one by Glazunov.

Why we love this

This orchestration transforms an intimate violin and piano miniature into a work of chamber-orchestra delicacy, preserving Tchaikovsky's lyrical gift while opening the piece to a broader range of ensembles. The solo violin line remains central to the texture, allowing your concertmaster or a strong section leader to shine, while the orchestration provides sophisticated harmonic support that keeps your ensemble engaged throughout. It's repertoire that sounds elegant and substantial without requiring a massive orchestra or overwhelming technical demands.

What to expect

Serene, nostalgic, and intimately lyrical, this piece evokes a moment of quiet reflection. The solo violin sings a gentle, almost vocal melody while the orchestra provides a cushion of warmth; the overall effect is one of tender remembrance without sentimentality. Time seems to slow as the melody unfolds, creating a space for listeners to settle into contemplation.

Who it's for

Orchestra directors seeking elegant repertoire that balances solo prominence with full ensemble participation, and orchestras looking for showpiece repertoire that showcases both a concertmaster and strong accompaniment. This arrangement works equally well for community orchestras, conservatory ensembles, and advanced secondary programs that have reliable string sections and a capable solo violinist.

How to get the most out of it

  • Balance the solo violin line so it emerges naturally from the orchestral texture; Glazunov's orchestration supports rather than competes with the melody.
  • Shape the phrase in long arcs rather than breaking it into small gestures. The piece unfolds as a single song, and conductors should think in terms of two or three broad sweeping lines across the entire movement.
  • Pay attention to the string section's rhythmic unison in accompanying figures. Clean articulation in pizzicato or light staccato passages prevents the texture from becoming muddy.
  • Use the conductor score to map the orchestral doublings and understand where Glazunov reinforces the melody with woodwinds or low strings; this helps you achieve transparency without sacrificing projection.

How to use it

Program this as a lyrical interlude between weightier works, or pair it with other Russian Romantic miniatures to create a cohesive thematic concert. It works beautifully as the centerpiece of a string-focused program, and its moderate length makes it an ideal encore or transition piece that gives your orchestra a chance to demonstrate refinement and control.

Skills your students will build

  • Balancing a solo melodic line with orchestral accompaniment
  • Transparent orchestration and string section clarity
  • Sustaining long phrases with consistent tone and intonation
  • Understanding how a single violin melody is supported and reinforced by orchestral doublings
  • Conducting lyrical, song-like material at moderate tempos with shape and direction

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