Sourwood Mountain Cover Image

Sourwood Mountain: Brass Ensemble - Sextet

$9.95 USD
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Sourwood Mountain Cover Image

Sourwood Mountain: Brass Ensemble - Sextet

Arr. Acton Ostling

Grade: (II)

Item: 00-FDENS00039

$9.95
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Additional Details
Series: Belwin Instrumental Ensembles
Publisher: Alfred Music
Page Count: 24
UPC: 029156038125
SKU: 00-FDENS00039

More about this title

Why we love this

Ostling's arrangement captures the spirited character of this Appalachian tune while giving brass sextet players meaningful parts that sit comfortably in the middle grades. The voicing rewards both ensemble balance and individual musicianship, making it equally suited to rehearsal showcase or adjudicated festival.

What to expect

Warm and approachable, with the easy charm of a well-known folk melody. The arrangement invites players to breathe together and listen across the brass colors, creating moments of gentle lift and genuine ensemble warmth.

Who it's for

Brass sextets at the middle school level and advancing high school groups seeking accessible repertoire with real musical substance. Directors programming contest or festival events will find a piece that demonstrates solid musicianship without excessive technical demands.

How to get the most out of it

  • Establish the melodic line clearly in the first statement; let the tune sing before layering harmonic support.
  • Balance the inner voices so rhythmic accompaniment figures don't overshadow the melody carriers.
  • Use slight rubato in exposed passages to honor the folk song's natural phrasing rather than metronomic precision.
  • Mark breath points together during sectional rehearsal to maintain continuity and ensemble cohesion across the full 24 pages.

How to use it

This works perfectly as a standalone festival entry or as part of a mixed brass program that pairs lighter fare with more complex works. Consider programming it early in a concert where ensemble confidence matters, or as a palate-cleansing moment between heavier pieces.

Skills your students will build

  • Balancing melody and accompaniment in a six-part texture
  • Phrasing folk song material with appropriate rubato and shape
  • Breathing as an ensemble to maintain line continuity
  • Voice independence and listening across brass sections
  • Reading parts with clear harmonic function and orchestration intent

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