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Sound Innovations for String Orchestra, Book 1: Piano Acc. (Instrumental) Book

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Sound Innovations for String Orchestra, Book 1 Cover Image

Sound Innovations for String Orchestra, Book 1: Piano Acc. (Instrumental) Book

A Revolutionary Method for Beginning Musicians

By Bob Phillips, Peter Boonshaft, and Robert Sheldon

Item: 00-34597

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Description
Sound Innovations for String Orchestra, Book 1 is the most comprehensive and thoughtfully designed method book for beginning string students. Designed with input from thousands of teachers, it features clean, easy-to-follow page layouts and a well-sequenced progression of skills. It provides clear goals for each exercise, ample reinforcement of new concepts, performance opportunities, diverse musical styles, and innovative teaching and practice resources. Note names are not included inside the note heads in order to fast-track musical literacy. The book is structured into six short levels, offering benchmarks, assessment indicators, and intermediate goals to guide students and teachers.

Every book includes free access to SI Online, a robust platform for supplemental worksheets, practice tracks, alternate tunes, extra string orchestra pieces, instrument-specific instructional videos, and more—all available with no login required. Accompaniment tracks can be slowed down, sped up, and looped for difficult sections. The PDFs include music theory, history, scale exercises, rhythm pages, technique pieces, and more for in-class or home reinforcement and differentiation. These resources support students from their very first notes to their final solo while giving teachers the flexibility to tailor pacing and instruction to meet the unique needs of their ensemble.

Book 1 is available for free in MakeMusic Cloud, an interactive practice tool that engages students and streamlines assessment. Plus, with a paid subscription, students can access SI Extras—exercises set to immersive soundtrack accompaniments from blockbuster superhero films including Wonder Woman, Batman, Superman, Black Adam, and more!

Sound Innovations for String Orchestra, Book 1: Piano Acc. (Instrumental) Book isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

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Additional Details
Series: Sound Innovations for String Orchestra
Publisher: Alfred Music
Page Count: 72
ISBN10: 0-7390-6792-3
ISBN13: 978-0-7390-6792-5
UPC: 038081383651
SKU: 00-34597
Instrumentation: Piano Acc.

More about this title

About the Authors

Bob Phillips
Bob Phillips, born in 1953, stands out as a composer, author, conductor, and music educator who has fundamentally shaped string education. Recognized for his expertise in large group instruction and his pioneering work with diverse musical styles for strings, Phillips has become one of the most prolific educational composers of his generation. His materials reach thousands of young string players annually.

His compositional output spans over 200 published works for orchestras and bands, earning him recognition as an award-winning ASCAP composer whose pieces are regularly performed at the prestigious Midwest Clinic. Phillips has authored more than 25 instructional book series, including all six levels of Sound Innovations and innovative eclectic style collections such as Fiddlers Philharmonic, Jazz Philharmonic, Rock Philharmonic, Mariachi Philharmonic, Latin Philharmonic, and Fiddle and Song. His instructional DVDs, String Clinics to Go, have found wide adoption among music teachers across the country.

During his 27 years in Saline, Michigan, Phillips developed a string program serving over 700 students that became a nationally recognized model for excellence in both classical and eclectic music. He founded the Saline Fiddlers Philharmonic ensemble, which under his direction achieved international prominence through annual performances exceeding 80 shows and appearances at the White House and Midwest Clinic. His conducting experience includes positions with the Oakland Youth Symphony, multiple state all-state orchestras, Blue Lake Fine Arts Camp, and a 12-year tenure as resident conductor and arranger for the Wintergrass Festival in Seattle.
Peter Boonshaft
Peter Loel Boonshaft stands as one of today's most influential voices in music education. As Director of Education for Jupiter Band Instruments, he reaches educators globally through his acclaimed weekly "Boonshaft's Blog" and has been sought as a speaker and conductor across all fifty states and internationally. The National Association for Music Education and Music For All recognized his pioneering contributions by awarding him the inaugural George M. Parks Award for Leadership in Music Education.

His distinguished career includes numerous honors reflecting his impact on music pedagogy and performance. Dr. Boonshaft has received official proclamations from five state governors and recognition from former President Ronald Reagan. He has performed for former Presidents George H. W. Bush and Bill Clinton, as well as former British Prime Minister Margaret Thatcher. His academic recognitions include membership in Pi Kappa Lambda and Alpha Chi honor societies, the University of Hartford's Regent's Award (twice) and Outstanding Music Educator Award, and three selections as a National Endowment for the Arts Artist in Residence.

Dr. Boonshaft holds a Bachelor of Music degree (Summa Cum Laude), Master of Music Education in Conducting, and Doctor of Musical Arts. He completed a Connecticut General Fellowship at the Kodály Musical Training Institute and earned certification there. His professorships include positions at Moravian College and the University of Hartford, where he is now Professor Emeritus of Music. He founded and directed both the Pennsylvania Youth Honors Concert Band and the Connecticut Valley Youth Wind Ensemble, establishing platforms for emerging young musicians.
Robert Sheldon
Robert Sheldon stands among today's most frequently performed composers of wind band music. He served as lead author for Sound Innovations for Concert Band and has earned multiple accolades from the American School Band Director's Association, Phi Beta Mu, and the American Society of Composers, Authors and Publishers. His compositions connect meaningfully with both performers and listeners through their expressive depth and reach audiences globally, appearing regularly on international concert and contest programs.

Sheldon maintains an active creative output, regularly accepting commissions while producing numerous concert band publications annually. His music has been performed at prestigious venues including Carnegie Hall, Orchestra Hall, Boston's Symphony Hall, the Sydney Opera House, and the Kennedy Center for the Performing Arts. In recognition of his contributions to music, VanderCook College of Music awarded him an honorary doctorate in July 2020.

As a sought-after clinician and conductor, Sheldon frequently leads All-State and Regional Honor Bands and presents educational sessions at universities and state music education conferences. He has conducted and taught throughout the United States and internationally in Japan, Canada, Italy, Germany, Australia, and China, sharing his expertise across continents.

Why we love this

This accompaniment book is designed specifically for piano players who support beginning string orchestras, which means Phillips and his co-authors understood the real challenge: playing supportive, stylistically varied parts that enhance the strings without overshadowing them. The progression mirrors exactly what the string players are learning, so your piano part stays in conversation with the ensemble rather than pulling ahead or lagging behind.

What to expect

Clean, encouraging, and musically honest. The accompaniments sit comfortably on the piano and use clear harmonic language that models solid ensemble awareness. Each piece invites you to match the energy and focus of the young string players learning beside you.

Who it's for

Piano players supporting beginning string orchestras (typically Grades 2-4) who want to develop alongside their students rather than simply provide background accompaniment. You're a pianist who plays an active role in shaping rehearsals and helping young string players hear what good ensemble playing sounds like.

How to get the most out of it

  • Balance your dynamic level to support rather than lead. Beginning string sections need to hear themselves developing intonation and ensemble blend; use the piano as a foundation they can build confidence against.
  • Lean into the stylistic variety. The book rotates through folk, classical, and contemporary idioms. Shift your touch and articulation to match each genre so the strings understand that the same technical skills serve different musical worlds.
  • Slow down the accompaniment tracks as needed during rehearsal. Use SI Online's playback controls to isolate problem sections and let the ensemble work at their own tempo before matching yours.

How to use it

Use this as your primary rehearsal tool throughout the school year, working through the six levels sequentially as your string orchestra progresses. The book's integrated approach means you can assign students home practice using SI Online's supplemental tracks, then use your piano part in full rehearsals to knit the ensemble together.

Skills your students will build

  • Reading and supporting mixed meter contexts (3/4, 4/4, and 2/4) at sight
  • Balancing accompaniment volume and tone quality to support ensemble blend
  • Transitioning between stylistic accompaniment approaches (folk idioms, classical textures, contemporary rhythms)
  • Playing rhythm accurately against the strings' developing ensemble tempo
  • Using digital accompaniment tools (SI Online playback controls) to support independent student practice

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