Sorry: Piano/Vocal/Chords
Songs That Made the Year!
Item: 00-PS-0010928
Pickup currently not available
Related Items
Praying for Time: Piano/Vocal/Chords |
$4.99
|
View | |
Lost: Piano/Vocal/Chords |
$5.99
|
View | |
That's What You Get: Piano/Vocal/Chords |
$5.99
|
View | |
Psycho: Piano/Vocal/Chords |
$5.99
|
View | |
The Story: Piano/Vocal/Chords |
$5.99
|
View | |
4 Minutes: Piano/Vocal/Chords |
$5.99
|
View | |
Leavin': Piano/Vocal/Chords |
$4.99
|
View | |
Paralyzer: Piano/Vocal/Chords |
$5.99
|
View | |
Whatever it Takes: Piano/Vocal/Chords |
$5.99
|
View | |
Porcelain Doll: Piano/Vocal/Chords |
$5.99
|
View |
Description
Sorry: Piano/Vocal/Chords isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.
Tell us you want it.
Explore everything that's ready to play right now.
Sample Audio
Sample Video
Additional Details
More about this title
About the Composer: Josh Todd
Josh Todd is the lead vocalist and rhythm guitarist for Buckcherry, the Los Angeles-based rock band that emerged in the early 2000s with a raw, guitar-driven sound rooted in hard rock and blues. Beyond his work as a performer, Todd has collaborated as a composer and songwriter on the band's most recognizable tracks, contributing to their commercial success and enduring presence in rock radio.
Why we love this
This folio captures 35 songs that span pop, rock, country, and alternative styles from the late 2000s, giving pianists and singers immediate access to contemporary repertoire that resonates with student musicians. The mix includes chart hits, indie favorites, and crossover songs with enough melodic substance to engage serious musicians while remaining accessible for intermediate players and singers.
What to expect
A snapshot of late-2000s radio: soaring indie-pop vocals, stripped-down acoustic intimacy, arena-rock hooks, and crossover country-pop moments. These songs swing between introspection and energy, with melodies designed to stick in the ear and simple harmonic structures that reward expressive interpretation.
Who it's for
Pianists and singers in the intermediate range who want to expand beyond classical and musical theater into contemporary pop and rock styles. This collection works well for students preparing for recitals, open mics, or school performances where current repertoire builds confidence and relevance.
How to get the most out of it
- Study the chord symbols carefully; many of these songs shift tonalities mid-phrase or use substitutions that differ from the original recordings.
- Balance vocal melody with accompaniment texture by varying your left-hand dynamics; these arrangements often work best when the chords support rather than compete with the voice.
- Reference the original recordings selectively to catch stylistic details (rubato, rhythmic pocket, ornamentation) without getting locked into a single interpretation.
- Pay attention to key signatures and transpositions; several songs may be written in a different key than you remember them, and committing to the printed key rather than fighting it will improve your learning curve.
How to use it
Feature songs from this folio in student recital programs to showcase contemporary musicianship alongside traditional repertoire. You might also build a thematic concert around a specific style (all indie rock, all acoustic, all pop) by drawing multiple selections from this collection, or assign individual songs as supplementary material for intermediate students seeking engaging, age-appropriate performance pieces.
Skills your students will build
- Reading lead-line melodies with chord symbols across varied pop and rock styles
- Interpreting vocal phrasing and articulation from notated melody
- Accompanying singers using chord voicings in contemporary contexts
- Sight-reading accompaniments that prioritize rhythmic groove over complex counterpoint
- Understanding transposition and key relationships in arrangements