Sorcery Suite, Opus 112 Cover Image

Sorcery Suite, Opus 112: Concert Band Conductor Score

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Sorcery Suite, Opus 112 Cover Image

Sorcery Suite, Opus 112: Concert Band Conductor Score

By James Barnes

Item: 00-BDM02059C

$30.00
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Description
In five movements, James Barnes vividly explores the distinct textures of the concert band. Entitled: "The Little Boy and the Castle," "The Bumbling Gamekeeper," "The Greatest of All Wizards," "Professor of Potions (With Ill-Tempered Notions)," and "Imagine a Game Played in Mid-Air!" Each movement musically depicts another image. This suite is a handsome addition to serious band literature. (12:08)

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Additional Details
Series: Belwin Oversized Edition
Publisher: Alfred Music
Page Count: 64
UPC: 654979049197
SKU: 00-BDM02059C

More about this title

About the Composer: James Barnes

James Barnes is a prolific composer whose concert band works occupy a central place in the standard repertoire. His compositions balance accessibility with musical substance, combining clear harmonic language, memorable themes, and expertly orchestrated textures that showcase the full range of the concert band palette.

Why we love this

Sorcery Suite succeeds because each movement has a distinct musical character and orchestration strategy, giving your band concrete interpretive challenges without resorting to gimmicks or novelty effects. The five-movement structure allows you to program it as a complete suite or extract individual movements for shorter concerts, and the narrative arc (from whimsy to spectacle) engages audiences immediately. Barnes's writing here demonstrates how skillful arranging and colorful scoring can make concert band literature memorable without sacrificing musicianship.

What to expect

Sorcery Suite unfolds as a whimsical journey through a magical landscape. Opening movements glow with wonder and charm; the middle sections shift into character studies full of personality and humor; the finale explodes into exuberance and bright orchestral color. Throughout, the writing is vivid and transparent, letting each instrumental voice sing.

Who it's for

This score is ideal for upper-level high school and college concert bands seeking programmatic music with substance. Directors looking to balance audience appeal with serious musical content will find Sorcery Suite effective for concerts where thematic programming or storytelling enhances the concert experience.

How to get the most out of it

  • Study the orchestration choices in each movement as a teaching tool: notice how Barnes isolates different sections and instrumental families to create contrast. Use these moments to rehearse balance and blend within your woodwind, brass, and percussion sections separately before integrating them.
  • Shape the phrasing in each movement according to its narrative character. 'The Little Boy and the Castle' calls for lyrical phrasing; 'The Bumbling Gamekeeper' benefits from rhythmic clarity and articulation that mirrors physical comedy.
  • Give your percussion section independent rehearsal time, particularly for 'Imagine a Game Played in Mid-Air!' where the parts are active and rhythmically complex.
  • Listen to how the recorded performance handles transitions between movements and the overall pacing across all five segments. Maintain momentum while respecting the distinct mood of each section.

How to use it

Program Sorcery Suite as a complete five-movement work on a concert that features storytelling or thematic connections (perhaps alongside other narrative concert band works, or as the centerpiece of a concert with a creative theme). The work also pairs well in a mixed program where you want a substantive, engaging piece that shifts the mood and showcases your full instrumentation without requiring extensive specialty soloists.

Skills your students will build

  • Dynamic and textural balance across multiple instrumental sections
  • Phrasing and character interpretation within distinct musical narratives
  • Rhythmic precision and ensemble synchronization in active percussion writing
  • Sustained tone production and melodic expression in contrasting harmonic environments

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