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Songs of Peace and Patriotism for Solo Singers: High Voice Book

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Songs of Peace and Patriotism for Solo Singers Cover Image

Songs of Peace and Patriotism for Solo Singers: High Voice Book

10 Contemporary Settings for Solo Voice and Piano For Recitals, Concerts, and Contests

Composed and arr. Jay Althouse

Item: 00-38143

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You will reach for this outstanding collection of 10 inspiring and uplifting solos time and time again. An excellent and timely resource for vocal students and teachers alike.

Titles: Amazing Grace * America, the Beautiful * Battle Hymn of the Republic * How Can I Keep from Singing? * I Hear America Singing! (medley) * Of Thee I Sing, America! * Peace Like a River * Simple Gifts * Song of Peace * The Star-Spangled Banner (in two voicings).

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Additional Details
Series: For Solo Singers
Publisher: Alfred Music
Page Count: 52
ISBN10: 0-7390-8802-5
ISBN13: 978-0-7390-8802-9
UPC: 038081426150
SKU: 00-38143

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse studied Music Education and Music at Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. His career spans both publishing and composition; he spent eight years managing rights and licenses for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has over 800 choral works in print and is a writer member of ASCAP, a regular recipient of their Special Award for contributions to standard music.

Beyond his choral catalog, Althouse has shaped music education through multiple channels. He has compiled and arranged numerous vocal solo collections, co-written children's musicals with his wife Sally K. Albrecht, and authored reproducible classroom resources including Ready to Read Music and Sixty Music Quizzes. His collaborative work with Albrecht on "I Hear America Singing" was performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration. He currently serves on the National Advisory Board of the Folk Art Society of America and resides in Wake Forest, North Carolina.

Why we love this

Althouse has curated a collection that honors American musical heritage without feeling nostalgic or heavy-handed. These arrangements sit naturally in the high voice, with vocal writing that respects the singability of each melody while allowing for genuine expression and emotional depth.

What to expect

The collection carries an earnest, reflective quality. These are songs shaped by American experience, some contemplative and spiritual, others declarative and proud, and they invite singers to inhabit that emotional landscape with sincerity.

Who it's for

High voice soloists preparing for recitals, competitions, or concert performances will find substantial material here. Teachers building a varied solo repertoire for advancing students will appreciate the range of moods and the accessibility of Althouse's vocal writing.

How to get the most out of it

  • Let the text carry as much weight as the melody. These songs live in the space between storytelling and singing, and your interpretation should reflect that balance.
  • The two voicings of "The Star-Spangled Banner" offer flexibility; consider which arrangement suits your student's range and maturity level rather than defaulting to the familiar version.
  • Explore the medley "I Hear America Singing!" as an opportunity to work on transitions between contrasting moods and tempos within a single performance.
  • These pieces reward a conversational, genuine delivery over technical display. Encourage students to connect with the sentiment of each text.

How to use it

These pieces work well as standalone solos in a patriotic or Americana-themed concert. Several could anchor a recital program, or you might program the medley as a show-closer that brings an audience together through shared musical and cultural memory.

Skills your students will build

  • Legit singing through sustained, lyrical phrases
  • Stylistic authenticity in American vocal traditions
  • Dynamic control and emotional nuance in narrative-driven texts
  • Breath management across longer melodic lines
  • Interpretive choices informed by historical and cultural context

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