Songs of Mexico Cover Image

Songs of Mexico: String Orchestra Conductor Score

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Songs of Mexico Cover Image

Songs of Mexico: String Orchestra Conductor Score

Featuring: A la Rorro Niño / Un Elefante Se Balanceaba / Luz de la Mañana

Arranged by Bob Phillips

Grade: 1

Item: 00-50828S

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Description
Three beautiful tunes in an easy medley! Songs of Mexico is a set of three traditional Mexican folk songs arranged by Bob Phillips for beginning string orchestra. The entire piece can be played on the D and A strings for violins, violas, and cellos, while basses play on the D and G strings. "A la Rorro Niño" (to the boy/special/darling child) is an infant slumber song. "Un Elefante Se Balanceaba" (one elephant was balancing) is about an elephant balancing on a spider web with more elephants joining as the song progresses; for example, the second verse would be two elephants, the third verse would be three elephants, and so on. "Luz de la Mañana" (morning light) is a children's song about morning. (2:05) Correlates to Sound Innovations, Book 1, Level 4.

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Additional Details
Series: Sound Innovations for String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-6622-7
ISBN13: 978-1-4706-6622-4
UPC: 038081584836
SKU: 00-50828S

More about this title

About the Composer: Bob Phillips

Bob Phillips

Bob Phillips has spent decades shaping how string students experience music across multiple genres and traditions. Since 1953, he has authored more than 25 instructional series and published over 200 works for orchestra and band, earning recognition as an ASCAP award-winning composer whose pieces reach thousands of young musicians annually.

For 27 years, Phillips built the string program in Saline, Michigan into a nationally recognized model, balancing classical training with exploration of folk, jazz, rock, and world music styles. He founded the Saline Fiddlers Philharmonic, which became internationally known for over 80 performances yearly, and has served as guest conductor for all-state orchestras, youth symphonies, and prestigious summer programs including Interlochen and Blue Lake Fine Arts Camp.

Why we love this

Phillips understands exactly what beginning string players need to succeed, and this medley proves it. The three folk songs stay within a comfortable range while each carries genuine character and cultural weight, making your students' first experiences with world music feel authentic rather than watered down. The narrative quality of each tune, a lullaby, a counting song that builds with each verse, a morning celebration, gives young players real musical storytelling to inhabit.

What to expect

Warm and inviting, with the intimate quality of a family gathering. The three songs create a gentle arc from quiet reflection to playful energy to bright daybreak, giving the piece emotional shape that young performers can feel in their bodies and ears.

Who it's for

Beginning string orchestras (grades 4-6) looking for their first substantial multicultural repertoire, and advanced first-year groups ready to explore beyond standard classical arrangements. This works equally well for contest preparation or community concerts where you want to showcase cultural diversity without sacrificing technical accessibility.

How to get the most out of it

  • Let the story of "Un Elefante Se Balanceaba" guide your tempo choices; the energy should feel playful as each new elephant joins, so resist the urge to rush and allow the ensemble to breathe through the repetitions.
  • Since the piece stays on D and A strings for most players, emphasize tone production and vibrato awareness during rehearsals; the limitation of strings actually becomes an advantage for developing consistency across the section.
  • Encourage soloists or section leaders to shape the melodic phrases in "Luz de la Mañana" with subtle dynamic shaping; even young players respond well to small crescendos and diminuendos that make the morning light feel alive.
  • Record a rehearsal and listen back as an ensemble; hearing themselves play something with genuine cultural roots builds investment and pride in the performance.

How to use it

Pair this with a spring or fall concert celebrating different cultures and traditions; the medley format lets you program substantial repertoire in minimal time, freeing space for a complementary piece in another style. It also serves beautifully as a bridge between concert and community outreach, since the folk song origins make it recognizable and approachable for family audiences unfamiliar with classical music.

Skills your students will build

  • Playing sustained tones across D and A strings with consistent tone quality
  • Reading and executing repetitive sections with rhythmic precision
  • Responding to narrative cues that shift character within a single arrangement
  • Maintaining rhythmic control in a piece that uses repeated counting structures
  • Understanding the relationship between cultural music and orchestral arrangement

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