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Songs of Mexico: String Orchestra Conductor Score & Parts

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Songs of Mexico Cover Image

Songs of Mexico: String Orchestra Conductor Score & Parts

Featuring: A la Rorro Niño / Un Elefante Se Balanceaba / Luz de la Mañana

Arranged by Bob Phillips

Grade: 1

Item: 00-50828

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Description
Three beautiful tunes in an easy medley! Songs of Mexico is a set of three traditional Mexican folk songs arranged by Bob Phillips for beginning string orchestra. The entire piece can be played on the D and A strings for violins, violas, and cellos, while basses play on the D and G strings. "A la Rorro Niño" (to the boy/special/darling child) is an infant slumber song. "Un Elefante Se Balanceaba" (one elephant was balancing) is about an elephant balancing on a spider web with more elephants joining as the song progresses; for example, the second verse would be two elephants, the third verse would be three elephants, and so on. "Luz de la Mañana" (morning light) is a children's song about morning. (2:05) Correlates to Sound Innovations, Book 1, Level 4.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Songs of Mexico: String Orchestra Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Sound Innovations for String Orchestra
Publisher: Alfred Music
ISBN10: 1-4706-6621-9
ISBN13: 978-1-4706-6621-7
UPC: 038081584829
SKU: 00-50828

More about this title

About the Composer: Bob Phillips

Bob Phillips

Bob Phillips (born 1953) is a composer, educator, and conductor who has shaped string education through innovative repertoire and large-group pedagogy. Over a 27-year tenure in Saline, Michigan, he built a string program that became nationally recognized for its excellence across classical and contemporary styles, serving more than 700 students and establishing the internationally touring Saline Fiddlers Philharmonic ensemble.

Phillips has authored six complete levels of the Sound Innovations series alongside genre-focused publications like Jazz Philharmonic, Rock Philharmonic, and Mariachi Philharmonic. With more than 200 published works for orchestras and bands, he has conducted all-state ensembles across the country, served as resident conductor for the Wintergrass Festival in Seattle, and earned recognition as an ASCAP award-winning composer whose works appear regularly on the Midwest Clinic program.

Why we love this

Phillips understands exactly what beginning string orchestras need: recognizable melodies that sit comfortably on limited string positions, charming cultural content that engages young musicians, and built-in variety within a manageable timeframe. The three contrasting songs (lullaby, counting song, and morning greeting) give students the satisfaction of learning distinct pieces without overwhelming rehearsal time, and the cumulative structure of the elephant song naturally invites students to listen and anticipate.

What to expect

A warm introduction to the musical storytelling traditions of Mexico, moving from the intimate hush of a mother singing to sleep, through the playful surprise of elephants multiplying on a web, to the gentle awakening promised by morning light. The arrangements honor the folk origins of each melody while speaking directly to young players in their language of simple positions and clear, singable lines.

Who it's for

Beginning string orchestra students (Grade 1 level) who are comfortable with open-position playing on the D and A strings. This works well for ensembles early in their third semester of study, as the restricted string use and straightforward harmonic language support developing left-hand coordination and ensemble listening skills.

How to get the most out of it

  • Shape the phrasing of the lullaby gently with careful attention to bow direction in the opening measures; a smooth, unbroken line will capture the tender quality of the original melody.
  • Establish a steady, playful tempo for the elephant counting song that allows students to clearly articulate each new verse entrance without rushing as the texture builds.
  • Balance the upper and lower voices in the morning light section so the melody remains clearly audible while maintaining the harmonic support of the accompaniment.

How to use it

Program this medley at a fall or winter concert where you want to showcase cultural diversity and introduce your audience to the personality of your beginning string students. It also serves well as a festival or contest piece for ensembles at this level, offering judges a clear snapshot of fundamental string technique and musicality without requiring advanced technical demands.

Skills your students will build

  • Playing sustained melody lines on open D and A strings
  • Hearing and balancing harmonic accompaniment beneath the principal melody
  • Managing ensemble rhythm across multiple simultaneous voices
  • Responding to conductor cues when musical sections and verse counts change
  • Connecting simple melodies to cultural and narrative context

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