Song for Jaco Cover Image

Song for Jaco: Jazz Ensemble Conductor Score & Parts

$83.00 USD
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Song for Jaco Cover Image

Song for Jaco: Jazz Ensemble Conductor Score & Parts

As Recorded by the WDR Big Band Cologne on Prism

By Peter Erskine / arr. Bill Dobbins

Item: 01-ADV31202

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Description
Peter Erskine's "Song for Jaco" is a warm and lyrical ballad, which is dedicated to the legendary electric bassist, Jaco Pastorius. Solo contributions are heard from the lead trumpet, the baritone saxophone, and the bass, with brief statements from the lead alto saxophone. Arranged by Bill Dobbins.

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track 1

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Additional Details
Series: Advance Music
Publisher: Advance Music
UPC: 805095312027
SKU: 01-ADV31202

More about this title

About the Composer: Peter Erskine

Peter Erskine

Peter Erskine began playing drums at age 4 and has built a career defined by musical curiosity and versatility. He has appeared on over 700 recordings and film scores, collaborated with everyone from Weather Report and Steely Dan to Chick Corea and Pat Metheny, and performed as a soloist with major orchestras across Europe and North America. For more than two decades he taught at the University of Southern California and was honored with an honorary Doctor of Music from Berklee College of Music.

Eskine's drumming has earned him two Grammy Awards and nine additional nominations, as well as induction into the Percussive Arts Society Hall of Fame in 2022. His work spans jazz ensembles, big bands, vocal accompaniment, and orchestral settings, reflecting a musician equally comfortable in any context.

Why we love this

This ballad offers a refreshing alternative to uptempo jazz repertoire. The solo opportunities for lead trumpet, baritone saxophone, and bass create natural focal points for your best players, while the warm, lyrical quality makes this accessible to ensembles developing their ballad interpretation skills.

What to expect

A contemplative tribute that balances warmth with sophistication. The piece moves at an unhurried pace, allowing each solo voice to breathe and connect emotionally with the harmonic landscape.

Who it's for

Jazz ensembles at the intermediate to advanced level with soloists capable of handling ballad phrasing and harmonic awareness. This works well for programs seeking to showcase individual voices while maintaining ensemble cohesion.

How to get the most out of it

  • Establish a conversational tone with the lead trumpet solo; think of it as singing rather than playing, focusing on phrase continuity and breath.
  • Balance the bass solo carefully in the mix, ensuring the walking line emerges clearly without overwhelming the harmonic foundation.
  • Shape the baritone saxophone statement with a warm, full sound and unhurried phrasing to honor the piece's dedication and emotional core.
  • Use the brief lead alto saxophone moments as dynamic counters; they should feel like gentle interjections, not restatements.

How to use it

This ballad pairs naturally with uptempo ensemble charts in a concert set, providing a moment of reflection and intimacy. It also serves as an excellent pedagogical tool when introducing student soloists to ballad standards and interpretive flexibility.

Skills your students will build

  • Ballad phrasing and dynamic shaping at a slower tempo
  • Solo voice independence within a supporting harmonic context
  • Listening for bass line movement and harmonic rhythm
  • Communicating emotional intention without rushing the harmonic progression

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