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Sonatinas, Volume I: Piano Book

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Sonatinas, Volume I Cover Image

Sonatinas, Volume I: Piano Book

Early Intermediate Piano Solos by Master Composers

Ed. Gail Lew

Level: Early Intermediate

Item: 00-ELM00037A

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Description
This collection of sonatinas offers an ideal introduction to some of the easiest classical keyboard sonatinas. Key signatures are limited to only the familiar keys of C major, G major, and F major. This ideal collection for teaching elements of musical form includes written-out ornaments in footnotes, composer biographies, and careful attention to editorial details of fingering, phrasing, and pedaling. Included are sonatinas by Biehl, Haslinger, Latour, Attwood, Duncombe, Beethoven, and Clementi.

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Additional Details
Series: Belwin Edition: Piano Masters Series
Publisher: Alfred Music
Page Count: 48
ISBN10: 0-7579-1452-7
ISBN13: 978-0-7579-1452-2
UPC: 654979064237
SKU: 00-ELM00037A

More about this title

Why we love this

This collection cuts straight to what makes early classical sonatinas pedagogically valuable: clear formal structure without unnecessary complexity. The restricted key palette (C, G, and F major) lets students focus on understanding sonata form itself rather than wrestling with unfamiliar tonality, and the written-out ornaments remove a major barrier to confident performance.

What to expect

These sonatinas balance formal elegance with genuine accessibility. You'll encounter the refined proportions and developmental thinking of the classical era without the pyrotechnics, creating a satisfying sense of musical architecture that rewards careful listening.

Who it's for

Early intermediate pianists ready to study formal structure through manageable repertoire. This book works especially well for students who need confident entry into classical form before progressing to longer or more technically demanding sonatas.

How to get the most out of it

  • Approach the ornaments as written rather than as optional embellishment; they're integral to the voice leading and phrasing of these pieces
  • Use the provided pedaling markings as a foundation, then experiment with half-pedaling to maintain clarity in the faster passages while adding resonance
  • Pay attention to the editorial fingering suggestions; they're designed to support natural hand position and efficient movement between sections
  • Shape each movement's opening theme distinctly so the return of material in the recapitulation registers clearly for listeners

How to use it

Feature individual sonatinas as student recital repertoire throughout the year, using different ones to mark progress. The variety of composers also makes this book excellent for a teaching recital exploring early classical keyboard writing.

Skills your students will build

  • Recognizing and performing sonata form structures (exposition, development, recapitulation)
  • Interpreting written ornaments in context
  • Pedaling in classical style across varied textures
  • Sight-reading in G major and F major keys
  • Phrasing and formal articulation at appropriate tempos

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