Sonatinas, Book 4 Cover Image

Sonatinas, Book 4: Piano Book

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Sonatinas, Book 4 Cover Image

Sonatinas, Book 4: Piano Book

Edited by Helen Marlais

Item: 98-FJH2204

$12.95
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Description
Book 4 spotlights nine sonatinas from both the Classical and Romantic periods with works by Beethoven, Benda, Dussek, Reinecke, Biehl, Lynes, Köhler, Kuhlau, and Lichner. Every sonatina is in its original, complete form in this 84-page book. Each volume contains interesting historical information, a thematic index, a music dictionary, and information "About the Pieces and Composers"� that can be used in program notes.

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Additional Details
Series: Succeeding with the Masters & The Festival Collection
Publisher: The FJH Music Company, Inc.
ISBN10: 1-61928-153-8
ISBN13: 978-1-61-928153-0
UPC: 241444363898
SKU: 98-FJH2204

More about this title

Why we love this

This collection gives intermediate pianists authentic Classical and Romantic sonatinas without cuts or simplified editions, preserving the composers' original intentions across nine distinct works. The pairing of familiar names like Beethoven and Kuhlau with less-commonly-encountered voices like Benda and Lichner creates natural variety for both recital programming and pedagogical progression.

What to expect

A survey of how the sonatina form evolved across nearly a century, from the clarity and balance of High Classical design through the richer harmonic language and expanded emotional range of the Romantic era. Each piece speaks in its own voice while maintaining the accessible, well-proportioned character that makes the sonatina form so satisfying to perform.

Who it's for

Intermediate to late intermediate pianists ready to move beyond simplified Classical arrangements and encounter the real thing. Students preparing for competitions, recitals, or festivals benefit from nine complete works in one volume.

How to get the most out of it

  • Study the thematic index before diving into each piece; recognizing the main melodic material helps you understand the formal architecture and anticipate key moments of return or transformation.
  • Use the historical notes and composer information as entry points for program notes or student research, turning each sonatina into a window onto its era rather than an isolated technical exercise.
  • Experiment with tempo relationships between movements across different sonatinas to understand how Classical composers managed pacing; you'll notice Kuhlau's approach differs notably from Reinecke's.

How to use it

Pull individual sonatinas for student recitals or competitions, or sequence works chronologically to trace stylistic shifts from Beethoven through the early Romantics. The 84-page format makes it ideal for ongoing study throughout a semester or year.

Skills your students will build

  • Recognizing and executing formal structures (exposition, development, recapitulation) across multiple compositional styles
  • Balancing Classical textural clarity with Romantic harmonic color and emotional depth
  • Interpreting program notes and historical context as tools for musical understanding and performance choices
  • Evaluating relationships between similar forms by different composers (comparing Beethoven's approach to Kuhlau's, for instance)
  • Managing technical requirements specific to each composer's pianistic language

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