Sonatina Cover Image

Sonatina: F Horn & Keyboard Part(s)

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Sonatina Cover Image

Sonatina: F Horn & Keyboard Part(s)

By Don Sweete

Level: Difficult

Item: 81-SH971

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Description
Sonatina is a powerful work for horn and piano. Composed for Derek Conrod, a horn player in Southwestern Ontario, this piece explores the range and colours of the horn. It is set in three movements and the technical requirements make this an exciting challenge for the professional performer. The lyrical writing is offset by sharp fanfare figures which provide interest and variety throughout the entire duration of the piece.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55472-941-6
ISBN13: 978-1-55472-941-8
UPC: 685462007561
SKU: 81-SH971
Instrumentation: F Horn & Keyboard

More about this title

Why we love this

Sweete balances virtuosic demands with genuinely rewarding lyrical passages, making this work engaging for serious horn players without sacrificing musicality. The alternation between singing lines and brilliant fanfare figures keeps both player and audience engaged across all three movements. This is the kind of contest piece that respects the instrument and the musician.

What to expect

Sweete crafts a piece that moves between introspection and declaration. Lyrical passages unfold with warmth and vulnerability, while sharp fanfare figures arrive like bright punctuation marks, creating a dynamic conversation between restraint and brilliance. The three-movement architecture gives the work architectural weight beyond its technical demands.

Who it's for

Advanced horn players seeking a sophisticated solo work for competition, recital, or festival performance. This piece suits musicians comfortable with challenging technical passages and confident enough to shape expressive, lyrical material without losing intensity.

How to get the most out of it

  • Shape each lyrical phrase with dynamic intention; the quieter moments gain power when they contrast sharply with the upcoming fanfare sections.
  • Approach the fanfare figures as declarative statements. Crisp articulation and deliberate rhythmic placement make these passages cut through the keyboard part.
  • Work closely with your pianist on balance and phrasing unity; the keyboard part is an equal voice, not mere accompaniment, and ensemble cohesion will elevate the overall impact.
  • Give yourself time to explore the full range the composer demands. This work uses the horn's capabilities as a compositional feature, not just a technical exercise.

How to use it

Ideal for an all-brass recital or a mixed chamber concert where you want to showcase solo horn artistry. Pair it alongside baroque or classical horn concertos to highlight how contemporary composers continue to develop the instrument's voice. Works beautifully as a closer or centerpiece of a recital program.

Skills your students will build

  • Commanding the full range of the F horn across multiple octaves
  • Balancing lyrical phrasing with clean articulation in fanfare figures
  • Interpreting and executing wide dynamic contrasts
  • Ensemble listening and phrasing coordination with keyboard accompaniment
  • Stamina and control in a three-movement work

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