Sonata No. 9 for Piano Op. 103 (1947) Cover Image

Sonata No. 9 for Piano Op. 103 (1947): Piano Solo

$11.95 USD
Sale price  $11.95 USD Regular price 
Skip to product information
Sonata No. 9 for Piano Op. 103 (1947) Cover Image

Sonata No. 9 for Piano Op. 103 (1947): Piano Solo

By Sergei Prokofiev

Level: Advanced

Item: 98-EP4769

$11.95
Shipped

One moment…

Description
The Sonata No. 9 from 1947 is Prokofiev's last originally composed and completed piano work. It was premiered by the leading Soviet pianist Sviatoslav Richter. The four movements in a cyclical connection are only faintly reminiscent of the consistent characteristics of the three so-called War Sonatas Nos. 6-8. The character of this almost unknown sonata fluctuates between 'balanced' and 'uniform'. The work is suitable for intermediate and advanced pianists.

Sonata No. 9 for Piano Op. 103 (1947): Piano Solo isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

Sample Audio
No sample audio found.
Sample Video
Additional Details
Publisher: Edition Peters
Page Count: 36
ISBN10: 0-01-403163-9
ISBN13: 979-001-403-1633
UPC: 9790014031633
SKU: 98-EP4769

More about this title

About the Composer: Sergei Prokofiev

Sergei Prokofiev (1891-1953) was a Russian composer whose piano works span a career of bold harmonic innovation and dramatic storytelling. His relationship with the piano was fundamental to his creative voice; he was an accomplished pianist himself and wrote prolifically for the instrument across multiple styles, from early modernist works to the monumental War Sonatas of the 1940s.

Why we love this

This sonata occupies a rare position in the late Prokofiev catalog: it stands apart from the War Sonatas while retaining the harmonic sophistication and architectural clarity his mature works demand. The cyclical design and tonal ambiguity between balance and uniformity create a contemplative voice that rewards deep, repeated study rather than immediate gratification.

What to expect

The sonata inhabits a contemplative, almost withdrawn space compared to the dramatic intensity of earlier Prokofiev. Its formal clarity and harmonic language feel modernist yet restrained, balancing architectural precision with moments of austere beauty.

Who it's for

Advanced pianists seeking substantial contemporary repertoire beyond the familiar War Sonatas. This work suits recital programming and advanced studio work, particularly for students ready to grapple with Prokofiev's late-period compositional language.

How to get the most out of it

  • Attend carefully to the formal architecture across all four movements. The cyclical connection means thematic material returns transformed; tracking these relationships will inform your phrasing and structural decisions.
  • The character fluctuation between balanced and uniform passages requires clear tonal differentiation. Use pedal strategically to distinguish harmonic color without blurring voice clarity.
  • Prokofiev's notation is precise. Respect rhythmic specificity and articulation marks; they are compositional intentions, not suggestions for personal interpretation.

How to use it

Program this as a recital anchor for a program exploring mid-20th-century piano literature, or as a standalone feature in a Prokofiev-focused concert. Its late-period aesthetic complements works by Shostakovich or Bartók from the same era.

Skills your students will build

  • reading and executing complex harmonic language in the 20th-century idiom
  • tracing cyclical form across multiple movements and recognizing thematic transformation
  • interpreting modernist notation with precision while maintaining musical coherence
  • balancing tonal clarity and structural design in music that resists traditional harmonic centers

You May Also Like