Sonata in E Major, K.380, L.23 Cover Image

Sonata in E Major, K.380, L.23: Piano Sheet

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Sonata in E Major, K.380, L.23 Cover Image

Sonata in E Major, K.380, L.23: Piano Sheet

By Domenico Scarlatti / ed. Edwin McLean

Item: 98-PS1030

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Description
Scarlatti’s most popular piano sonata, this charming one-movement sonata was a favorite of Vladimir Horowitz who performed it frequently. This cheerful piece abounds with scale passages and trills. The edition is urtext, with fingering and optional pedaling included.

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Additional Details
Series: The FJH Piano Solo Series
Publisher: The FJH Music Company, Inc.
UPC: 674398230877
SKU: 98-PS1030

More about this title

About the Composer: Domenico Scarlatti

Domenico Scarlatti (1685, 1757) was a keyboard virtuoso and prolific composer who spent much of his career in Portugal and Spain in the service of royal courts. Though trained in the Italian tradition by his father Alessandro, Scarlatti developed a distinctly personal voice, particularly in his harpsichord sonatas, which number over 500 and represent some of the most inventive keyboard writing of the era.

Scarlatti's sonatas broke from strict contrapuntal convention in favor of brilliant passagework, harmonic surprises, and rhythmic vitality. These one-movement forms became a foundation for later Classical keyboard design, influencing composers like Beethoven. His music rewards both the virtuoso and the exploring student, offering technical challenges wrapped in immediate musical appeal.

Why we love this

This sonata has survived centuries of changing taste for good reason: the music sparkles with genuine wit and charm while remaining completely honest in its construction. The scale passages and trills sit naturally under the hand, and the form moves with such logic that even intermediate players can feel the architecture while still enjoying the surface pleasures of the writing.

What to expect

Effervescent and poised, like watching a skilled dancer move through perfectly timed patterns. The writing crackles with keyboard energy: spiraling lines and unexpected harmonic turns keep you alert, while the overall cheerfulness and inevitability of the form create an impression of effortless grace.

Who it's for

Intermediate and early advanced pianists seeking repertoire that combines technical display with genuine musical substance. It works equally well for students building fluency in ornamentation and Classical forms, or for anyone preparing a recital that needs a confident, crowd-pleasing centerpiece.

How to get the most out of it

  • Shape the scale passages with direction and clarity rather than mechanical evenness; let them breathe as part of larger melodic arcs.
  • Balance ornamentation weight against forward motion. Trills should shimmer without grinding the piece to a halt.
  • Honor the optional pedaling suggestions judiciously; this is harpsichord music at heart, so clarity of line matters more than sustain.
  • Vary your touch between the lyrical sections and the virtuosic runs to keep the single-movement form from feeling static.

How to use it

Program this as a bridge between Baroque keyboard tradition and the Classical sonata form. It pairs well with later Haydn or Beethoven sonatas, or as an encore that shows a pianist's command of style and ornamentation without demanding the larger structural commitment of a full three-movement work.

Skills your students will build

  • Executing trills and other ornaments with rhythmic precision and musical shape
  • Shaping scalar passages so they serve larger melodic intentions
  • Understanding single-movement sonata logic and proportional form
  • Balancing technical display with architectural clarity
  • Applying historically informed approaches to pedaling and articulation

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