Sonata: 2 Trumpets & Keyboard Part(s)

David Marlatt's arrangement makes an authentic Baroque sonata genuinely playable for intermediate brass ensembles without compromising the musical substance. The inclusion of two organ scores in different keys solves the common problem of doubling trumpets at different transpositions, and the conversion of the slow movement to 3/4 time maintains the character while improving accessibility.

The writing sparkles with the ceremonial brilliance characteristic of Baroque brass music while maintaining the conversational intimacy of a duet. Movement between fast passages and the reshaped slow movement creates a satisfying arc, with the two trumpets engaged in musical dialogue that rewards careful listening and preparation.

This sonata works well for intermediate to advanced trumpet duets preparing for contest or festival play. It serves students ready to tackle Baroque counterpoint while building facility with early instrumental literature and the discipline required for true ensemble playing at this level.

• Balance the two trumpet parts as equal voices rather than melody and accompaniment; the counterpoint is the point, so both players must commit to their lines with equal confidence.
• Shape phrases through the keyboard part carefully; the organ provides harmonic foundation and can either support or complicate the trumpets' phrasing depending on tempo and articulation choices.
• Work out which organ score serves your ensemble before rehearsal begins; choosing between D and B-flat versions affects not only transposition but the overall brilliance and weight of the sound.
• Pay particular attention to articulation consistency between the two trumpet parts, especially in passages of paired figures where unity of style creates the illusion of seamless dialogue.

Program this alongside other Baroque brass works to frame a concert set exploring early instrumental repertoire, or feature it as a contest entry that demonstrates serious musicianship and period awareness. The modest forces make it flexible for chamber series, recitals, or academic competitions where authentic Baroque music strengthens programming depth.

• Reading and performing Baroque counterpoint for trumpet duet
• Transposition between concert pitch and B-flat trumpet parts
• Balanced ensemble playing in two-part writing
• Period-appropriate articulation and phrasing in Baroque style
• Collaboration with keyboard accompaniment
• Sight-reading across two related but different transpositions (D and B-flat versions)