Sometimes I Feel Like a Motherless Child Cover Image

Sometimes I Feel Like a Motherless Child: 4 Trombones Score & Parts

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Sometimes I Feel Like a Motherless Child Cover Image

Sometimes I Feel Like a Motherless Child: 4 Trombones Score & Parts

Traditional / arr. David Marlatt

Level: Medium-Difficult

Item: 81-TQ2715

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Description
Spirituals have found their way into the standard repertoire of vocalists and instrumentalists. The lyrical tunes combined with the powerful message they tell affect us all. This arrangement is mainly a Trombone 1 feature but all parts are interesting and the jazz harmonies add a really great colour to this famous tune.

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Additional Details
Series: Eighth Note Publications
Publisher: Eighth Note Publications
ISBN10: 1-55473-181-X
ISBN13: 978-1-55473-181-7
UPC: 685462011933
SKU: 81-TQ2715
Instrumentation: 4 Trombones

More about this title

Why we love this

Marlatt respects the spiritual's emotional core while making it sound fresh through jazz harmonies and voice leading that keeps all four trombonists engaged. The Trombone 1 feature gives your lead player a moment to shine, but the supporting parts are genuinely interesting rather than filler, making this a satisfying choice for quartets at the medium-difficult level.

What to expect

A familiar melody reimagined through modern jazz colors while maintaining the contemplative, mournful character of the original spiritual. The arrangement feels intimate yet sophisticated, allowing the four voices to create a rich tapestry of sound that feels both respectful and fresh.

Who it's for

Trombone quartets seeking repertoire that bridges traditional spirituals with contemporary harmonic language. This works well for ensembles comfortable with medium-difficult technical demands and looking for a piece with both performance appeal and festival potential.

How to get the most out of it

  • Balance the lyrical melody in Trombone 1 against the harmonic colors in the lower voices; the jazz sonorities work best when each layer is distinctly heard.
  • Establish a warm, singing tone throughout rather than a bright articulation; this arrangement thrives on tonal blend and resonance.
  • Rehearse the ensemble as a unit early, focusing on intonation within each chord before polishing individual lines.
  • Allow space for the spiritual's inherent dignity; the jazz harmonies enhance rather than overshadow the tune's gravitas.

How to use it

Program this as a concert centerpiece that demonstrates how brass ensembles can honor traditional sacred music through thoughtful arrangement. It pairs well alongside other spirituals or American roots music, or as a counterpoint to more classical brass repertoire on a festival or competition program.

Skills your students will build

  • Jazz harmony recognition and intonation in extended tertian chords
  • Balancing a featured melody line with harmonic accompaniment
  • Ensemble blend and voice independence in a four-part texture
  • Stylistic interpretation of sacred material through a contemporary lens
  • Sustaining warm tone quality and legato phrasing over longer phrases

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