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Something Modal: Flexible Band/String Ensemble Score & Parts

$50.00 USD
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Something Modal: Flexible Band/String Ensemble Score & Parts

By Ryan Meeboer

Grade: 2

Item: 81-FB1410

$50.00
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Description
Eighth Note Publications Flexible Band/String Series provides ultimate flexibility for ensembles with incomplete instrumentation or odd combinations. These pieces are playable by as few as 5 woodwind, brass or string players with or without percussion. This creates the opportunity for a mixed quintet to perform these titles but also allows for performance for 10-15 players up to full a band/orchestra with parts doubling. Great for music camps, contest use or any band room that has non-standard instrumentation.

Something Modal is a laid back jump swing chart. The melodies and backgrounds are very simple yet catchy. Every section gets an opportunity to play something interesting and fun, but also contribute to the overall feel of the piece. Chord changes are easy enough to open up opportunities for players to practice and show off their improvising abilities. (2:30)

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Additional Details
Series: Eighth Note Publications Flexible Band Series
Publisher: Eighth Note Publications
ISBN10: 1-77157-094-6
ISBN13: 978-1-77157-094-7
UPC: 685462020959
SKU: 81-FB1410

More about this title

Why we love this

Ryan Meeboer designed this piece specifically for the real constraints of ensemble teaching, not an idealized instrumentation. The simplicity of the melodic and harmonic content paired with the opportunity for improvisation means your students can focus on feel and ensemble cohesion rather than fighting complex notation.

What to expect

Easygoing and playful, with a subtle swagger. The jump swing style sits somewhere between a vintage big band looseness and something contemporary enough for modern ensemble contexts. Catchy, accessible, and built so every player gets a moment in the spotlight.

Who it's for

Ensembles with unpredictable or mixed instrumentation will find reliable material here. Whether you're fielding five players or fifteen, or running a mixed woodwind-brass-string quintet, the flexible voicing means no one sits silent.

How to get the most out of it

  • Establish a relaxed swing feel in sectionals before the ensemble rehearsal; Grade 2 swing requires a laid-back rhythmic approach that's harder to fake than it sounds.
  • Rotate improvisation opportunities across sections in rehearsals so every player gets comfortable taking a solo over those chord changes before the performance.
  • Let the piece breathe; the jump swing style depends on space and groove, not rushing through the 2:30 runtime.

How to use it

This works well as an opener or closer for a concert where you're showcasing ensemble flexibility or highlighting student improvisation. Its 2:30 duration and light character make it an ideal match for festival or contest settings where you want to display musicianship without demanding advanced technical facility.

Skills your students will build

  • Swing rhythm interpretation and feel
  • Jazz chord progression reading and accompaniment
  • Basic jazz improvisation over simple chord changes
  • Ensemble balance with flexible instrumentation
  • Listening and responding to melodic cues across mixed instrument families

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