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Someone in the Crowd: Choral SoundPax

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Someone in the Crowd Cover Image

Someone in the Crowd: Choral SoundPax

Music from the Motion Picture La La Land

Music by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul / arr. Alan Billingsley

Item: 00-DIGPX00065

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Description
The cast of La La Land gets all dolled up and heads to a lavish Hollywood Hills party during this big production number from the hugely successful motion picture. The lively tempo, jazzy feel, and cheeky lyrics are fantastically fun and fuel the fire to become (or find) that someone special amongst a crowd of hopefuls. Great for all choirs, and especially girls' groups!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Someone in the Crowd: Choral SoundPax comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 74
UPC: 038081530932
SKU: 00-DIGPX00065
Instrumentation: SoundPax

More about this title

About the Composer: Justin Hurwitz

Justin Hurwitz studied composition at Harvard University and went on to establish himself as a composer for film and television. His work on La La Land earned widespread recognition, showcasing his ability to blend contemporary sensibilities with classic jazz and musical theater traditions.

Hurwitz's scores demonstrate a deep understanding of how music serves narrative and character. His compositions for film have consistently found their way into concert halls and choral programs, proving that movie music written with intelligence and craft can stand on its own in educational and performance contexts.

Why we love this

This arrangement captures the effervescent charm of the film's big party number while remaining genuinely singable and fun to rehearse. The jazzy language feels fresh without requiring extensive jazz training, and choirs consistently report that singers light up when they recognize this material. Directors appreciate how the energy and humor of the piece naturally draw engagement from both performers and audiences.

What to expect

Someone in the Crowd sparkles with the glamour and optimism of a Hollywood party scene. The jazzy harmonies, bright tempo, and playful text create an infectious energy that's both aspirational and tongue-in-cheek. Singers will feel the thrill of a big, showy production number while staying grounded in singable, rewarding vocal writing.

Who it's for

This arrangement works for any choir that enjoys contemporary choral repertoire and has singers who can handle jazz inflections and syncopated rhythms. It's especially well suited to girls' choirs and women's ensembles, though mixed choirs will find it equally rewarding.

How to get the most out of it

  • Lean into the swagger of the rhythm section parts. If you're using instrumental accompaniment, make sure the drums and bass lock together tightly; this groove is what makes the piece propel forward.
  • Treat the lyrics with a wink. The cheeky tone and the aspirational humor of the text work best when singers commit fully to the character and comedic timing of the words.
  • Balance clarity with blend in the harmonic sections. Jazz chords need precise tuning, especially in close voicings, so spend rehearsal time on vertical listening while maintaining the forward momentum.
  • Use the recorded accompaniment as a baseline for tempo and feel, but don't let it dictate your interpretation. Finding the pocket that works for your singers' voices will make the performance feel ownership rather than imitation.

How to use it

This piece is ideal for a spring concert finale or as a showstopper near the end of a program where you want to send the audience out feeling uplifted and entertained. It also works beautifully as a centerpiece for a movie music or contemporary pop choral concert, and the recognizable source material often generates genuine excitement among audiences of all ages.

Skills your students will build

  • Jazz phrasing and syncopation
  • Blend and intonation in close harmonic voicings
  • Rhythmic independence and entrances in syncopated passages
  • Interpretation of contemporary pop and film music styles
  • Stage presence and character work in a large ensemble setting

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