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Someone in the Crowd: SSA Choral Octavo

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Someone in the Crowd Cover Image

Someone in the Crowd: SSA Choral Octavo

Music from the Motion Picture La La Land

Music by Justin Hurwitz, lyrics by Benj Pasek and Justin Paul / arr. Alan Billingsley

Item: 00-46735

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Description
The cast of La La Land gets all dolled up and heads to a lavish Hollywood Hills party during this big production number from the hugely successful motion picture. The lively tempo, jazzy feel, and cheeky lyrics are fantastically fun and fuel the fire to become (or find) that someone special amongst a crowd of hopefuls. Great for all choirs, and especially girls' groups!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Someone in the Crowd: SSA Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
Page Count: 16
UPC: 038081531908
SKU: 00-46735

More about this title

About the Composer: Justin Hurwitz

Justin Hurwitz is a composer best known for his work in film and television, with a particular gift for creating music that captures contemporary urban energy and emotional intimacy. His score for La La Land earned him Academy Award and Grammy nominations, establishing him as a composer who writes for singers and orchestras with equal facility.

Why we love this

Alan Billingsley's arrangement captures the infectious lightness of the original while giving SSA choirs room to shine on jazzy voicings and rhythmic drive. The piece swings without requiring advanced harmonic reading, making it rewarding for intermediate and advanced choirs alike. Programming this guarantees an audience moment of instant recognition and pure fun.

What to expect

Glamorous and optimistic, with a wink. The jazzy harmonies and rhythmic buoyancy create a sense of possibility and excitement, like you're part of a crowd of dreamers in the best possible way. It's sophisticated without being stuffy, energetic without being exhausting.

Who it's for

SSA and SSAA choirs at the intermediate level and above will find this accessible yet musically satisfying. It works beautifully for groups looking to program contemporary popular music alongside traditional repertoire, and especially for treble voice ensembles seeking repertoire with personality and crossover appeal.

How to get the most out of it

  • Lock the rhythm section early. The swing feel depends on confident rhythmic foundation in the lower voices; spend rehearsal time on the bass line and any available instrumental parts before layering the melody.
  • Treat the jazz vocabulary like a language. Phrasing, accent placement, and articulation should all reflect the looseness of a Hollywood party, not classical precision.
  • Lean into the character and personality of the lyrics. This song thrives on charm and energy; singers should connect to the celebratory mood, not just nail the notes.
  • Balance the parts carefully during the ensemble passages. The arrangement stacks voices for texture, but clarity matters; soloists should cut through without the background parts withdrawing.

How to use it

This shines as a closing piece on a concert that mixes genres, or as a standalone opener that sets a celebratory tone for the entire program. It pairs well with other contemporary or theatrical music, and its recognizability makes it a crowd-pleaser for fundraising concerts or casual performances. Consider programming it when you want to showcase your choir's range and accessibility to diverse audiences.

Skills your students will build

  • Swing articulation and phrasing in popular music styles
  • Jazz chord reading and harmonic awareness
  • Rhythmic precision in syncopated passages
  • Balancing melody and harmonic texture in thick voicings
  • Character-driven interpretation and performance energy

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