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Slideways: Concert Band Conductor Score

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Slideways: Concert Band Conductor Score

By Timothy Loest

Level:.5

Item: 98-B1223S

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Description
Trombone had a problem, one he could not hide. It wasn't valves or flashy keys, it was his awkward slide... So begins the poem that accompanies this humorous novelty work featuring your trombone and slide whistle sections (and it's recommended that you bring them to the front of the band for this one!). The clever poem can easily be read by several students. Consider using members of the faculty or administration to "beef up" your slide whistle section!

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Additional Details
Series: FJH Starter Series
Publisher: The FJH Music Company, Inc.
UPC: 241444472484
SKU: 98-B1223S

More about this title

About the Composer: Timothy Loest

Timothy Loest

Timothy Loest has shaped young band music for over three decades, building a reputation for compositions and arrangements that work in real classrooms while delighting audiences. His pieces are performed across the country, and his pedagogical contributions extend through collaborations on foundational method series including Measures of Success, Warm-ups and Beyond, and Rhythms and Beyond. In 2017, his composition Cloud Gate drew over 5,000 listeners at Chicago's Millennium Park, and that same year he received the Illinois Grade School Music Association's Cloyd Myers Memorial Award for Excellence in Music Education.

Loest's catalog spans multiple publishers and mediums. His music has been heard on network television programs including The Tonight Show Starring Jimmy Fallon, Good Morning America, and Extra. In 2022, he founded Fanfare Music Press to continue producing high-quality compositions and arrangements for band. He holds degrees from Illinois State University and Northwestern University, maintains ASCAP membership, and welcomes commissions through his website.

Why we love this

Loest understands what makes young musicians laugh without sacrificing genuine musicality. The narrative approach here, pairing poem with music and repositioning your trombone and slide whistle players as featured soloists, transforms a novelty into a genuine moment of connection with your audience. It's the kind of piece that reminds everyone why we program music in the first place.

What to expect

Slideways carries the warmth of a good joke told well, with musical moments that are straightforward and cheerful. The humor lives not in complexity but in the visual and sonic surprise of slide whistles prominent in a concert band setting, creating a performance that audiences remember as much for its charm as for its cleverness.

Who it's for

This conductor score is designed for beginning to early intermediate concert bands seeking accessible repertoire that entertains without requiring virtuosic technique. The novelty format and lightweight scoring make it ideal for young musicians building foundational ensemble skills while gaining confidence through performance.

How to get the most out of it

  • Recruit non-musicians from your school community to join the slide whistle section. Faculty or administrative voices add authenticity and generate engagement that reverberates beyond the music department.
  • Position your trombone and slide whistle players prominently at the front of the ensemble so the audience can see the instrumentation that drives the humor.
  • Assign the poem reading to multiple students across different voice parts to create variety in delivery and encourage broader participation in the presentation.
  • Rehearse the balance between the spoken elements and the musical accompaniment so the narrative lands clearly without overwhelming the band's sound.

How to use it

Position this as a crowd-pleaser in a concert's second half after you've established your ensemble's serious credentials with a contrasting work. The novelty framing and built-in audience engagement make it particularly effective at family concerts or spring programs where younger audiences and non-musicians are present.

Skills your students will build

  • Ensemble balance with unconventional instrumentation
  • Ensemble entrances and cutoffs with non-traditional players
  • Listening to and supporting featured sections
  • Performing with confidence despite humorous or unusual musical contexts

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