Sleigh Ride Cover Image

Sleigh Ride: Choral SoundTrax CD

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Sleigh Ride Cover Image

Sleigh Ride: Choral SoundTrax CD

Words by Mitchell Parish, music by Leroy Anderson / arr. Mark Hayes

Item: 00-47705

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Description
Leroy Anderson's winter frolic has never sounded cooler! This sleigh ride swings in big band style, offering bright (and sometimes tight) harmony paired with jazzy rhythms for a truly refreshing version of the holiday classic. As always, Mark Hayes' accompaniment shines with piano alone or the fully orchestrated SoundTrax and SoundPax.

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081543987
SKU: 00-47705

More about this title

About the Composer: Leroy Anderson

Leroy Anderson (1908-1975) composed some of the most recognizable orchestral pops pieces in American concert music. His gift for melody and orchestration made him a favorite of Boston Pops conductor Arthur Fiedler, and works like Plink, Plank, Plunk! and Fiddle Faddle remain staples of light classical programming. Anderson brought sophistication and wit to accessible music, proving that popular appeal and musical craft were never at odds.

Beyond his concert works, Anderson's influence on American music extends to film scoring and television, where his ability to combine complex harmonic language with immediate melodic charm made him invaluable. His catalog rewards performers at every level, from student ensembles to professional orchestras, because the orchestrations and arrangements reveal new details with each rehearsal.

Why we love this

Mark Hayes brings the big band sound front and center in this arrangement, transforming a perennial favorite into something with genuine rhythmic swagger and modern harmonic color. The tight harmonies paired with jazzy accompaniment give your singers something completely different to sink their teeth into, and the SoundTrax and SoundPax options mean you can adjust the instrumental support to match your rehearsal timeline and performance context.

What to expect

Crisp, energetic, and thoroughly modern despite the piece's vintage origins. The big band groove gives the familiar melody a contemporary swagger, with bright harmonies that sparkle against jazzy piano and orchestration. There's genuine fun in the rhythmic interplay, and the arrangement never feels heavy or oversized.

Who it's for

This arrangement works beautifully for intermediate to advanced high school choirs, college ensembles, and skilled community choruses comfortable with jazz idioms and contemporary harmonic language. Singers who enjoy pop and jazz styles will find the rhythmic and harmonic vocabulary both challenging and rewarding.

How to get the most out of it

  • The bright harmony demands clarity in vowel shapes and consonant placement. Lock the diphthongs in phrases where the text pushes toward sustained notes, especially in the jazz chords that require precision intonation.
  • Feel the swing in the rhythm section accompaniment and let your singers breathe with that pulse rather than against it. This is not a straight-eighth piece, so rhythmic relaxation in the proper spots will feel more authentic than metronomic perfection.
  • Balance the jazz voicings by doubling the strongest voices through the changing harmonic colors. Listen for moments where the arrangement thins intentionally for effect, then bring the blend back when all parts re-enter.
  • The recorded accompaniment choices (piano alone versus full orchestration) affect both rehearsal strategy and final tone color. Consider using the leaner piano version early to build independence, then shift to the full arrangement 2-3 weeks before performance.

How to use it

Place this in a winter or holiday concert alongside other pops and jazz selections to anchor a complete genre statement. The arrangement's contemporary sound complements both classic holiday pieces and other pop or musical theater selections, and it works equally well as a concert opener (to set an energetic tone) or as a crowd-pleasing closer.

Skills your students will build

  • Reading and performing swing rhythms and syncopation
  • Blending tight jazz voicings with accurate intonation
  • Interpreting jazz articulation and phrasing cues
  • Responding to non-traditional harmonic language in a choral context
  • Singing against a rhythmically complex accompaniment

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