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Slap That Bass: Choral Octavo SoundTrax CD

$24.95 USD
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Slap That Bass Cover Image

Slap That Bass: Choral Octavo SoundTrax CD

Music and lyrics by George Gershwin and Ira Gershwin / arr. Larry Shackley

Item: 00-30992

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Description
This fantastic novelty "music" song from the Gershwins features the men of your choir singing a "bass" part. Perform with live combo or SoundTrax CD. Fun staging possibilities, too!

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Additional Details
Series: Alfred Pop Choral Series
Publisher: Alfred Music
UPC: 038081337647
SKU: 00-30992

More about this title

About the Composer: George Gershwin

George Gershwin (1898-1937) bridged classical and popular music in ways that still feel fresh nearly a century later. His gift for melody and harmonic sophistication earned him a place in both concert halls and Broadway theaters, making him one of the most performed American composers in music education.

Why we love this

This arrangement captures the playful energy of a Gershwin standard while giving your men a genuine comedic moment on stage. The novelty element and staging flexibility make it an accessible way to program a masterwork that singers actually enjoy performing.

What to expect

Swinging and upbeat, with a wink and a grin. The bass part carries the melodic interest, giving the men center stage in a piece that feels both vintage and lively.

Who it's for

Choirs looking for a crowd-pleasing number that showcases the men's section while delivering genuine musical substance. Works best with singers who can commit to both rhythmic accuracy and theatrical presence.

How to get the most out of it

  • Shape the jazz rhythms with precision; the humor lands when the syncopation is clean and confident, not sloppy.
  • If using the SoundTrax CD, rehearse with the recording early and often so your choir can lock into the groove without losing their own musicality.
  • Lean into the theatrical potential. The piece invites physicality and character work that will engage both your singers and your audience.
  • Balance the novelty factor with musical respect for Gershwin's harmonic language. This is a real song with real craft underneath the fun.

How to use it

Perfect as a finale or early-second-act closer where you want energy and laughter without sacrificing musicianship. Pairs well with other jazz-influenced pieces or can stand alone as a palate cleanser between more serious works.

Skills your students will build

  • Jazz rhythm and syncopation
  • Ensemble blend and balance with recorded accompaniment
  • Theatrical expression and character work in choral performance
  • Precision in rhythmic articulation

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