Sit Down! Cover Image

Sit Down!: Choral Octavo SoundTrax CD

$27.99 USD
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Sit Down! Cover Image

Sit Down!: Choral Octavo SoundTrax CD

Oh, Won't You Sit Down? / Sit Down, Servant

Arr. Sally K. Albrecht

Item: 00-19290

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Description
Here's a unique partnering of two spirituals: "Oh, Won't You Sit Down" and "Sit Down, Servant." Each melody is presented individually, then combined with an additional counter-line (high voices in the 3-part edition, an optional descant in the 2-part edition). Limited range for boys in the 3-part edition, so it's great for changing male voices. Don't miss the swinging SoundTrax CD that will add excitement to your performance. A new spiritual classic arrangement. Included on Sally's "In the Spotlight!" Video, #19803.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081179353
SKU: 00-19290

More about this title

About the Arranger: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music as a composer, conductor, and clinician whose work spans over three decades in educational publishing. Since 1987, she has received annual ASCAP Special Music Awards and maintains a catalog of more than 600 published choral works alongside 75 full-length musicals and songbooks. Her conducting has graced honor choirs nationwide at Lincoln Center, Carnegie Hall, and The Kennedy Center, and she served as Director of School Choral, Vocal, and Elementary Publications for major educational music publishers, including Alfred Music.

Albrecht holds a B.A. in Music and Theater from Rollins College (1976) and earned both an M.A. in Drama (1977) and an M.M. in Accompanying (1979) from the University of Miami. Her leadership extends beyond music; she chaired the Board of Trustees for Omicron Delta Kappa National Leadership Honor Society and received their "Pillar of Leadership" award. In 2021, she was honored with the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees. She lives in Wake Forest, North Carolina, with her husband, composer and arranger Jay Althouse.

Why we love this

Albrecht's pairing of two beloved spirituals creates a sophisticated yet accessible arrangement that gives singers something genuinely fresh to interpret. The counterline added to each melody lifts what could be a straightforward piece into something with real harmonic interest, and the limited male range in the 3-part edition shows sensitivity to the realities of middle school and changing voices. The SoundTrax accompaniment brings infectious energy that lifts rehearsals and performances alike.

What to expect

A grounded, soulful arrangement that swings with quiet authority. The interwoven melodies create a sense of prayer and conversation, while the recorded accompaniment adds a contemporary vitality that feels both respectful to the spiritual tradition and energizing for modern singers.

Who it's for

Middle school through adult choirs looking for spirituals that work across mixed or treble voice configurations. The 3-part edition suits groups with developing male singers, while the 2-part option serves younger ensembles or smaller programs.

How to get the most out of it

  • Balance the high voices' counter-line carefully against the primary melody; it should enhance, not overshadow. Have the main melody singers sing through several times before layering parts.
  • Lean into the spiritual's natural call-and-response phrasing to give singers ownership of the text and authentic interpretation.
  • Use the SoundTrax recording in rehearsal to establish groove and tempo, then gradually build independence so singers feel the accompaniment rather than depend on it.
  • Work dynamics in relation to the text; the title's directive "Sit Down" invites a grounded, intentional quality that contrasts beautifully with moments of lift.

How to use it

Pair this with other spirituals for a concert block celebrating African American sacred music, or use it as a contrasting anchor in a program that moves between styles. The swinging quality and accessible range make it equally effective in a spring concert, heritage month celebration, or worship service.

Skills your students will build

  • Balancing independent melodic lines with accompaniment
  • Interpreting the spiritual tradition with authenticity and respect
  • Singing in limited vocal range while maintaining emotional expression
  • Responding to recorded accompaniment with ensemble cohesion

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