Singin' in the Rain: Jazz Ensemble Conductor Score & Parts

$48.00 USD

Singin' in the Rain: Jazz Ensemble Conductor Score & Parts

Name: Singin' in the Rain: Jazz Ensemble Conductor Score & Parts
Brand: Alfred Music
SKU: 00-JEM01030
Price: 48.00 USD
Availability: InStock

Music by Nacio Herb Brown, lyrics by Arthur Freed / arr. John Denton

Grade: 2 (Medium Easy)

Item: 00-JEM01030

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Here's a super swing chart for the younger player from arranger John Denton. From the MGM movie of the same name, this melody is well known to all ages. John has included a tenor solo with written solo provided and carefully kept the brass ranges and tempo quite reasonable keeping this chart accessible to this level. You'll really like the simple but clever harmonic twist and modulation that John included, and the swing figures are all logical and easy to teach. Singing in the Rain will make you happy again!

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Singin' in the Rain: Jazz Ensemble Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Series: Young Jazz Ensemble

Publisher: Alfred Music

Page Count: 114

UPC: 654979990321

SKU: 00-JEM01030

More about this title

About the Composer: Arthur Freed

Arthur Freed (1894-1973) was a legendary lyricist and producer who shaped the golden age of Hollywood musicals. His partnership with composer Nacio Herb Brown produced some of the most enduring songs in American popular music, including the title track from the 1952 film "Singin' in the Rain." Freed's gift lay in crafting lyrics that felt natural and singable while capturing the emotional heart of a scene; his work defined the musical theater vocabulary that influenced generations of composers.

Beyond songwriting, Freed served as a producer at MGM during its peak years, developing a keen ear for what made music work in film and on stage. His influence extended well into music education, where his melodies remain staples of jazz and pop repertoire precisely because they sit so comfortably in the voice and ensemble.

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Why we love this

This chart brings an iconic melody into a teaching context without sacrificing the joy that makes the tune stick in people's heads. Denton's arrangement respects young players by keeping harmonic ideas transparent and brass writing accessible while still delivering genuine swing feel and a satisfying solo vehicle for your tenor player.

What to expect

Bright and optimistic, with that signature MGM sheen that audiences recognize instantly. The swing feel sits comfortably in the pocket, propelled by logical harmonic movement and a warm, approachable melody that invites the ensemble into the joy of the original film moment.

Who it's for

Jazz ensemble directors working with Grade 2 players who want accessible swing charts without sacrificing musical substance. The piece works equally well for younger high school ensembles, strong middle school groups, and community jazz bands looking for reliable, audience-friendly repertoire that builds swing fundamentals.

How to get the most out of it

Nail the swing subdivision early in rehearsal. The figures are logical, but locking the rhythmic pocket between rhythm section and ensemble transforms the chart from competent to genuinely swinging.
Feature your best tenor in the solo section. The written solo gives less experienced improvisers a clear roadmap, but encourage players comfortable taking risks to personalize their approach within the harmonic structure.
Balance brightness with space. The melody sits in a comfortable register across the ensemble, so resist the urge to force volume; let the harmonic sophistication and modulation John included do the heavy lifting.
Use the modulation as a rehearsal anchor. Mark it clearly in all parts so sections understand how it resets the harmonic expectation and creates forward momentum toward the finish.

How to use it

Program this as a second-half opener on a jazz concert to shift energy after a more serious first set, or pair it with other classic standards to build a "Great American Songbook" set. The accessibility and recognition factor also make it a strong choice for community outreach concerts where you want strong musicianship that doesn't ask your audience to work too hard to enjoy.