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Singer's Library of Arias: Medium High Voice Book

$15.95 USD
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Singer's Library of Arias Cover Image

Singer's Library of Arias: Medium High Voice Book

15 Vocal Masterworks from the Baroque Era Through the Twenty-First Century

Compiled, ed., and arr. Patrick M. Liebergen

Item: 00-28811

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Description
This superb vocal collection features 15 of the world's best-loved arias from the Baroque era through the 21st Century, presented with comprehensive historical information, accurate translations, IPA pronunciation guides, and performance suggestions designed to enhance and educate developing vocalists. Available in Medium High and Medium Low editions, with optional piano accompaniment CDs. Songs include: Domine Deus (Vivaldi) * Gioite al canto mio (Peri) * I Attempt from Love's Sickness (Purcell) * I Got Plenty O' Nuttin' (Gershwin) * La donna è mobile (Verdi) * Non siate ritrosi (Mozart) * O mio babbino caro (Puccini) * O Rest in the Lord (Mendelssohn) * Ombra mai fù (Handel) * Sheep May Safely Graze (Bach) * Sorry Her Lot (Gilbert & Sullivan) * Time To Say Goodbye (Sartori) * Voi che sapete (Mozart) * Where'er You Walk (Handel) * You Raise Me Up (Løvland).

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Additional Details
Publisher: Alfred Music
Page Count: 120
ISBN10: 0-7390-5137-7
ISBN13: 978-0-7390-5137-5
UPC: 038081313559
SKU: 00-28811

More about this title

Why we love this

This collection bridges classical repertoire and contemporary material without sacrificing vocal authenticity. The inclusion of IPA guides and historical context transforms what could be a casual songbook into a pedagogical resource that teaches singers how to own these pieces intellectually and stylistically.

What to expect

You're moving through centuries of vocal writing, from the ornamental elegance of Baroque countertenor lines to the lush Romantic sweep of 19th-century opera, then into contemporary pop arrangements. Each aria sits comfortably in the medium high range while preserving the character of the original.

Who it's for

This collection serves developing soloists preparing for competitions, studio lessons, or recitals who need both the music and the educational framework to understand what they're singing. Voice teachers will find it invaluable for building a repertoire that spans genres and centuries while meeting students at an accessible tessitura.

How to get the most out of it

  • Study the historical information and translations before learning the melody. Understanding what you're singing about shapes phrasing and emotional intent.
  • Use the IPA pronunciation guides to drill any unfamiliar language passages, especially in the Italian and Latin texts. Accurate diction is non-negotiable in art song.
  • Reference the performance suggestions for each aria; they often address common interpretive choices and technical hurdles specific to that piece.
  • If using the recorded accompaniment CD, listen to it multiple times before singing along to absorb the harmonic language and accompaniment texture.

How to use it

Feature one aria per lesson cycle to deepen repertoire breadth without overloading the learning load. The stylistic variety makes it possible to program a recital entirely from this collection, mixing eras for dramatic contrast, or to select individual pieces that complement larger program themes.

Skills your students will build

  • Singing in multiple languages with accurate pronunciation and diction
  • Interpreting text across Baroque, operatic, musical theater, and contemporary styles
  • Understanding historical and cultural context of vocal music across four centuries
  • Sustaining legit vocal technique across different tessituras and vocal colors
  • Applying performance suggestions to solve technical and interpretive challenges in unfamiliar repertoire

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