Sing We All Noel!: SATB Choral Octavo
Traditional Carols / arr., with new words, by Patrick M. Liebergen
Item: 00-PO-0003636
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More about this title
About the Arranger: Patrick M. Liebergen
Patrick M. Liebergen is an arranger and composer whose work appears regularly in choral catalogs, particularly through Alfred Music. His arrangements are known for breathing new life into familiar hymns and carol tunes, combining traditional harmonic language with accessible scoring that works for community choirs, school ensembles, and church programs.
Liebergen approaches arrangement as a craft of recontextualization. His pieces often layer multiple melodies, reharmonize expected progressions, or set familiar texts to fresh musical frames, inviting singers to experience well-known material in surprising ways.
Why we love this
The mash-up concept solves a real programming problem: you get two beloved carols woven into a single, cohesive piece that feels neither scattered nor forced. The 6/8 meter paired with minor tonality gives this arrangement a contemporary energy that keeps it from sounding like a standard carol setting, and the optional flute and hand drum parts add texture without requiring them to pull off the performance.
What to expect
A minor-key carol that feels both festive and slightly mysterious, as though two old traditions are catching sight of each other in candlelight. The 6/8 rhythm gives it motion and warmth without sacrificing the reverence embedded in the source tunes.
Who it's for
This octavo works for intermediate to advanced high school and adult choirs, as well as church choirs with solid reading skills. The optional instrumentation makes it flexible; you can perform it with voices alone or enhance it with flute and hand drum parts if available.
How to get the most out of it
- Keep the 6/8 pulse driving and even; this meter invites a lilt, but resist letting it become sluggish or ungrounded.
- Balance the two melodic threads carefully in rehearsal. Mark which tune is primary in each section so singers understand the hierarchy and don't compete for attention.
- If you're using the optional instruments, bring them in gradually during rehearsals rather than all at once. Let the SATB voices establish the foundation first.
- The minor tonality can feel unfamiliar to singers used to major-key carols. Spend time on pitch accuracy around the third scale degree to build confidence.
How to use it
Place this in the second half of a holiday concert where the program has established a warm atmosphere. It pairs well alongside other contemporary carol arrangements and provides a spirited contrast to unaccompanied or traditional major-key carols.
Skills your students will build
- Reading compound meter (6/8) with accurate rhythmic feel
- Singing minor tonality in a festive context
- Balancing two independent melodic lines within a four-part texture
- Coordinating with optional instrumental parts without depending on them