Sing, Sing, Sing: TTBB Choral Octavo

Mark Hayes' orchestration captures every ounce of Prima's original swagger while adapting it thoughtfully for TTBB voices, giving you a piece that sounds polished and professional without requiring a full big band. The independent vocal lines keep singers engaged throughout, and the optional horn parts add genuine shimmer when you're ready to build a fuller sound. Best of all, it programs like a dream: this opener or closer will energize your audience and your singers alike.

Sunlight bouncing off brass, infectious good humor, and the unshakeable groove of a bandstand at its peak. Singers move through sections of tightly interlocking harmony that feel effortless once locked in, punctuated by moments of genuine showmanship that draw applause.

Experienced high school and college men's choirs looking for a crowd-pleasing, feel-good opener or finale. Singers need comfort with syncopation and independent voicing, but the piece rewards investment with swagger and audience connection.

• Lock the swing feel early in rehearsals by having the rhythm section (or recorded accompaniment) establish the groove first, then layer in the vocal parts once that pocket is secure.
• Shape the phrase endings with a slight lift rather than a full cutoff; the sassy character demands energy all the way through to the final syllable.
• Bring out the independent lines in the verse sections by assigning intentional vowel colors to each part so listeners hear the interweaving melody, not a blend.
• Lean into the comedic moments with clear diction on the fresh lyrics; clarity here sells the fun and keeps the piece from sounding precious.

Use this as your concert opener to set an upbeat tone immediately, or place it strategically near the end of your second half for a high-energy sendoff. It pairs naturally with other standards or jazzy contemporary pop arrangements, and it signals to your audience that your choir commands versatility.

• Singing swing rhythms with precision and forward energy
• Independent vocal line navigation while maintaining harmonic awareness
• Quick style shifts from tight harmony to syncopated, rhythmically independent sections
• Diction clarity at tempo in a jazz idiom
• Building ensemble cohesion through rhythmic lock with accompaniment