Sing Noel, Noel! Cover Image

Sing Noel, Noel!: Choral Octavo SoundTrax CD

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Sing Noel, Noel! Cover Image

Sing Noel, Noel!: Choral Octavo SoundTrax CD

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-35711

$27.99
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Description
Here's the perfect gospel-style Christmas number for your holiday concert. Try it as a closer, adding hand claps at the key change. "Glory, glory hallelu!" Features two brief solos and a descant group. Featured on Showbiz! choral movement DVD (00-35858).

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
UPC: 038081399072
SKU: 00-35711

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse studied music education and earned an M.Ed. in Music from Indiana University of Pennsylvania, where he later received the Distinguished Alumni award. He spent eight years working in rights and licensing for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has over 800 choral works in print across all difficulty levels, performed widely throughout English-speaking countries. He holds membership in ASCAP and is a regular recipient of the ASCAP Special Award for his compositions.

Althouse has collaborated with his wife, Sally K. Albrecht, on numerous children's musicals, vocal solo collections, and educational texts including The Complete Choral Warm-up Book and Accent on Composers. He co-wrote I Hear America Singing, performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. Currently based in Wake Forest, North Carolina, he serves on the National Advisory Board of the Folk Art Society of America and has contributed articles to the society's quarterly publication.

Why we love this

This octavo delivers immediate energy and genuine fun without sacrificing musicality. The gospel-style arrangement with hand claps at the key change gives your singers a physical and emotional lift, while the two brief solos and descant group create built-in interest for mixed voice choirs without requiring extensive vocal demands.

What to expect

Gospel warmth meets holiday celebration in this arrangement. The bright, driving rhythm and the familiar refrain "Glory, glory hallelu!" create an infectious spirit that lifts singers and listeners alike, while the descant and hand claps add layers of texture that feel earned rather than gimmicky.

Who it's for

Holiday concerts need a closer that energizes an audience while allowing your singers to shine with joy rather than struggle through technical difficulty. This octavo works for intermediate to advanced choirs seeking a gospel-inflected Christmas number with straightforward vocal writing and strong ensemble appeal.

How to get the most out of it

  • Teach the hand clap entrance at the key change as a full ensemble moment first, then gradually subtract voices until only the desired clapping group remains, ensuring rhythmic precision across the choir.
  • Balance the descant group carefully in rehearsal by having them sing against the main voicing with score in hand, marking dynamic adjustments so the additional layer enhances rather than obscures the primary melody.
  • Feature the two soloists in at least one staged rehearsal before performance to work out sightlines and to build their confidence with the choir's support.
  • Use the recorded accompaniment during sectional rehearsals to anchor rhythm and pitch, particularly when learning the hand clap rhythm in context with the harmony parts.

How to use it

Program this as your closer, especially if your concert includes more traditional carols earlier in the set. The gospel style and audience-friendly arrangement provide a rousing finale that sends people out smiling, and the hand claps invite the audience into the celebration without breaking the performers' focus.

Skills your students will build

  • Gospel style phrasing and rhythmic interpretation
  • Coordinating hand claps with ensemble singing
  • Balancing and blending a descant part with main voicing
  • Solo singing within a choral context

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