Sing Noel, Noel! Cover Image

Sing Noel, Noel!: 2-Part Choral Octavo

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Sing Noel, Noel! Cover Image

Sing Noel, Noel!: 2-Part Choral Octavo

Words and music by Sally K. Albrecht and Jay Althouse

Item: 00-35710

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Here's the perfect gospel-style Christmas number for your holiday concert. Try it as a closer, adding hand claps at the key change. "Glory, glory hallelu!" Features two brief solos and a descant group. Featured on Showbiz! choral movement DVD (00-35858).

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sing Noel, Noel!: 2-Part Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 12
UPC: 038081399065
SKU: 00-35710

More about this title

About the Composer: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was recognized with the Distinguished Alumni award. He spent eight years in music publishing as a rights and licenses administrator and served on the Executive Board of the Music Publishers Association of America. His catalog includes more than 800 choral compositions performed regularly across the English-speaking world, and he maintains membership in ASCAP, earning the Special Award multiple times for his contributions to standard music.

Althouse has collaborated extensively with his wife, Sally K. Albrecht, on children's musicals and vocal collections including Folk Songs for Solo Singers. His educational impact extends through authorship of The Complete Choral Warm-up Book, Accent on Composers, and several classroom resources such as Ready to Read Music and One-Page Composer Bios. Their collaborative work I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Barack Obama's inauguration in 2009. Based in Wake Forest, North Carolina, Althouse has served the North Carolina Master Chorale and currently advises the National Folk Art Society of America.

Why we love this

This piece captures everything a holiday closer needs: infectious energy, a built-in staging moment with the hand claps at the key change, and enough melodic hooks that singers leave the stage grinning. The two solos keep the texture intimate before the descant group enters, creating a natural arc from reflection to celebration without ever feeling overwrought.

What to expect

Gospel warmth meets holiday joy in this bright, rhythmically forward piece. The hand clap moment and descant group lift the energy just when the key change arrives, creating a moment of genuine celebration that audiences feel as much as hear.

Who it's for

This octavo works beautifully for concert choirs at the middle school, high school, and adult community levels. Any director seeking a spirited, accessible Christmas finale with staging opportunities will find this an immediate audience favorite.

How to get the most out of it

  • Emphasize rhythmic precision during the hand claps at the key change. Have your singers rehearse the clap pattern separately from their vocal parts to ensure it lands on the beat without rushing.
  • The soloists should sing with clarity and warmth; these moments are intimate against the full choir texture, so they need projection without oversinging.
  • Work the gospel inflections into your rehearsal gradually. Encourage singers to listen to recordings of traditional gospel styles and apply that rhythmic freedom to the "Glory, glory hallelu!" phrases.

How to use it

Program this as your concert closer; its 2-part voicing and uplifting text let it land as a strong final statement even in a mixed-repertoire concert. The movement and staging elements also make it effective as a transition piece when you need visual interest between larger ensembles.

Skills your students will build

  • Gospel rhythmic articulation and phrasing
  • Singing descant parts over harmonic texture
  • Coordination of movement (hand claps) with vocal rhythm
  • Solo singing within a choral context

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