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Sing Joy: A Medley of Carols: SAB Choral Octavo

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Sing Joy: A Medley of Carols Cover Image

Sing Joy: A Medley of Carols: SAB Choral Octavo

Arr. Jay Althouse

Item: 00-27391

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Description
This exciting four-minute holiday medley includes "Joy to the World," "It Came Upon the Midnight Clear," and "O Come, All Ye Faithful." The arrangements are fresh, yet scored for easy learning. Add the optional SoundPax (brass and percussion) for a true "holiday brass" performance. A regal addition to your December concerts.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sing Joy: A Medley of Carols: SAB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081296517
SKU: 00-27391

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was later honored as a Distinguished Alumnus. His career spans both the publishing industry (eight years as a rights and licenses administrator) and composition; he has amassed over 800 published choral works performed internationally. A member of ASCAP and a regular recipient of their Special Award, Althouse remains one of the most prolific voices in educational choral music.

Beyond his compositional output, Althouse has shaped music education through numerous contributions: co-authored children's musicals with Sally K. Albrecht, compiled respected vocal solo collections, and written widely used classroom resources including The Complete Choral Warm-up Book, Accent on Composers, Ready to Read Music, and Sixty Music Quizzes. His collaborative work I Hear America Singing was performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 inauguration. He served on the board of the North Carolina Master Chorale and currently advises the National Folk Art Society of America.

Why we love this

Althouse knows how to make carols feel contemporary without stripping away their dignity. The three-part voicing sits perfectly for mixed choirs without the rehearsal burden of four parts, and the orchestration option (brass and percussion) transforms this from a standard medley into a full holiday statement that still prioritizes vocal clarity.

What to expect

Fresh and alive, yet grounded in reverence. The arrangement honors the harmonic weight of these beloved carols while adding just enough contemporary energy to surprise audiences who think they know these melodies inside and out. The optional brass lends a ceremonial grandeur that feels earned rather than overdone.

Who it's for

This works beautifully for choirs with mixed voices of intermediate experience. It's ideal for groups seeking a single, confident showpiece for winter concerts without the time commitment of learning multiple separate arrangements.

How to get the most out of it

  • Balance the three familiar melodies so each emerges clearly; resist the urge to let sopranos dominate throughout, especially when "It Came Upon the Midnight Clear" or "O Come, All Ye Faithful" shifts the melodic weight.
  • If adding the optional brass and percussion parts, rehearse the choir unaccompanied first to lock in the harmonic foundation, then layer in the instruments to prevent the ensemble sound from thinning.
  • Shape the phrasing across all four minutes as one arc rather than three separate pieces; subtle tempo and dynamic continuity between carols will preserve momentum and emotional weight.

How to use it

Use this as a centerpiece in your Christmas concert or paired with a smaller, quieter carol arrangement to create dynamic contrast. It's substantial enough to stand alone as your holiday finale but compact enough to share a program with spoken text, instrumental pieces, or a longer dramatic work.

Skills your students will build

  • Balancing three melodic lines simultaneously while maintaining harmonic cohesion
  • Transitioning smoothly between pieces without losing musical momentum
  • Blending with instrumental accompaniment while maintaining vocal presence
  • Interpreting familiar repertoire with fresh phrasing and dynamic shape

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