Sing Joy: A Medley of Carols Cover Image

Sing Joy: A Medley of Carols: SATB Choral Octavo

$1.95 USD
Sale price  $1.95 USD Regular price 
Skip to product information
Sing Joy: A Medley of Carols Cover Image

Sing Joy: A Medley of Carols: SATB Choral Octavo

Arr. Jay Althouse

Item: 00-27390

makemusic Cloud badge

Need it now?

Buy Digital Version
$1.95
Shipped

One moment…

Description
This exciting four-minute holiday medley includes "Joy to the World," "It Came Upon the Midnight Clear," and "O Come, All Ye Faithful." The arrangements are fresh, yet scored for easy learning. Add the optional SoundPax (brass and percussion) for a true "holiday brass" performance. A regal addition to your December concerts.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Sing Joy: A Medley of Carols: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

Sample Pages

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 16
UPC: 038081296500
SKU: 00-27390

More about this title

About the Arranger: Jay Althouse

Jay Althouse

Jay Althouse holds degrees in Music Education and Music from Indiana University of Pennsylvania, where he was recognized as a Distinguished Alumnus. His career spans both publishing and composition; he spent eight years managing rights and licensing for a major educational music publisher and served on the Executive Board of the Music Publishers Association of America. As a composer, he has created more than 800 choral works performed widely across English-speaking countries and maintains membership in ASCAP, earning the Special Award repeatedly for his contributions to standard choral literature.

Beyond composition, Althouse has co-written children's musicals with Sally K. Albrecht, compiled and arranged significant vocal solo collections including Folk Songs for Solo Singers, and authored several influential pedagogical texts such as The Complete Choral Warm-up Book and Accent on Composers. His educational resources for music classrooms include Ready to Read Music, Sixty Music Quizzes, and One-Page Composer Bios. A collaborative choral work he co-wrote with Albrecht, I Hear America Singing, was performed by the San Francisco Girls and Boys Choirs at President Obama's 2009 Inauguration. He has served the North Carolina Master Chorale and currently advises the National Board of the Folk Art Society of America.

Why we love this

Althouse captures three beloved carols in one elegant package without sacrificing any of their dignity or familiarity. The scoring sits comfortably for singers while offering enough textural interest to hold an audience, and the optional brass and percussion parts elevate this from a standard carol medley into a showcase moment that doesn't require months of rehearsal to pull off.

What to expect

Joyful and triumphant, this medley celebrates three hymn texts that anchor the Christmas season. The weaving of three distinct melodies creates a sense of celebration without becoming cluttered; there's warmth in the harmony and lift in the pacing.

Who it's for

This arrangement serves choirs of mixed abilities and experience levels who want a substantial yet manageable holiday offering. Directors programming December concerts will appreciate how quickly this can come together while still sounding polished and impressive in performance.

How to get the most out of it

  • Balance the three melodies clearly so each carol remains recognizable, especially where voicing overlaps or when transitioning between sections.
  • Shape the harmonic progressions with gentle dynamic swells to create forward momentum through the four-minute arc and avoid a static carol-listing feel.
  • If adding the optional SoundPax parts, rehearse those sections separately first so singers hear and lock into the brass and percussion colors before combining everything.
  • The recorded accompaniment can anchor tuning and tempo, but use it selectively during rehearsal to ensure your choir develops independent musicality and doesn't rely on it for pulse.

How to use it

This works beautifully as a centerpiece in a holiday concert, either performed alone or bookended by a cappella carols for contrast. Consider it a strong opener that sets an uplifting tone, or place it midway through your program to provide instrumental color and shift the energy.

Skills your students will build

  • Singing four distinct voice parts with clear melodic independence
  • Recognizing and performing three different melodies within a single piece
  • Adjusting vowel color and blend across major harmonic progressions
  • Responding to optional instrumental accompaniment and adapting balance accordingly

You May Also Like