Sing for the Season! Cover Image

Sing for the Season!: SoundTrax Digital Audio Download

$34.99 USD
Sale price  $34.99 USD Regular price 
Skip to product information
Sing for the Season! Cover Image

Sing for the Season!: SoundTrax Digital Audio Download

A Seasonal Concert Collection for SATB Voices

Music by Sally K. Albrecht, Jay Althouse, Greg Gilpin, and Philip Kern / ed. Sally K. Albrecht

Item: 00-A-00014856

$34.99
Digital Download
Description

Sing for the Season!: SoundTrax Digital Audio Download isn't in MakeMusic Cloud just yet...but it could be. Let us know you'd like to see it, and you'll help shape what comes next. In the meantime, start a free trial and dive into thousands of interactive titles your students can play along with today.

Sample Pages

No sample pages found.

Sample Audio
0:00
0:00
Sample Video
Additional Details
Series: Alfred Choral Designs
Publisher: Alfred Music
SKU: 00-A-00014856

More about this title

About the Composer: Sally K. Albrecht

Sally K. Albrecht

Sally K. Albrecht has shaped American choral music for decades as both a composer and a conductor. She has received the ASCAP Special Music Award annually since 1987 and has published over 600 choral works along with 75 larger musicals and songbooks. Her conducting has taken her to honor choirs nationwide, including festivals at Lincoln Center, Carnegie Hall, and The Kennedy Center. For more than thirty years, she directed school choral and vocal publications at major educational publishers, most recently at Alfred Music.

Albrecht holds degrees from Rollins College (B.A. in Music and Theater, 1976), the University of Miami (M.A. in Drama, 1977), and the University of Miami Frost School of Music (M.M. in Accompanying, 1979). She has taught at Oakland University in Michigan, Jersey City State College in New Jersey, and Meredith College in North Carolina. A native of Cleveland, Ohio, she now resides in Wake Forest, North Carolina, with her husband Jay Althouse, also a composer and arranger. In 2021, Albrecht received the Distinguished Alumna Award from both the University of Miami Frost School of Music and Rollins College, where she serves on the Board of Trustees.

Why we love this

This collection arrives with recorded accompaniments ready to use, which matters when you're juggling rehearsal time across multiple groups. The combination of four accomplished composers guarantees variety in musical style and technical demands, so you can program something that fits your choir's voice type and skill level without all the arrangements sounding similar.

What to expect

These arrangements capture the warmth and sincerity of sacred Christmas repertoire without leaning into orchestral complexity. The pieces strike a balance between accessibility and musicality, allowing singers to focus on expressing the meaning of the text rather than wrestling with technical hurdles.

Who it's for

This collection serves choirs preparing Christmas programs at any level of experience. The multiple composers and varied arrangements mean you can select works that match your ensemble's range and reading ability without programming the entire set.

How to get the most out of it

  • Reference the SoundTrax accompaniment during early rehearsals to establish tempo and harmonic foundation, then gradually reduce your dependence on it as the choir internalizes the parts
  • Balance the joy in the text with attention to vowel uniformity in unison or homophonic passages; these works reward clear diction without sacrificing blend
  • Let the recorded track inform phrasing choices, but encourage singers to breathe naturally rather than mechanically following every breath mark in the accompaniment

How to use it

Open your December concert with one of these octavos to establish a thoughtful tone before moving into larger choral works. The recorded accompaniments also make these practical choices for churches preparing services where live instrumental accompaniment may not be available.

Skills your students will build

  • Balancing vocal independence with blend in homophonic textures
  • Responding to recorded accompaniments in real time
  • Interpreting sacred text with musical integrity
  • Sustaining focus through shorter, self-contained pieces suitable for concert programming

You May Also Like