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Simply Big Band: Piano Book

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Simply Big Band Cover Image

Simply Big Band: Piano Book

Timeless Songs from the '20s, '30s and '40s

Arranged by Bernadine Johnson

Level: Easy Piano

Item: 00-29144

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Description
Simply Big Band is a collection of the greatest hits from the big band era. These selections have been carefully arranged by Bernadine Johnson for Easy Piano, making them accessible to pianists of all ages. Phrase markings, articulations, fingering, pedaling and dynamics have been included to aid with interpretation, and a large print size makes the notation easy to read. Titles: As Time Goes By * Bewitched, Bothered and Bewildered * Blue Moon * Bye Bye Blackbird * Chattanooga Choo Choo * Don't Get Around Much Anymore * Don't Sit Under the Apple Tree (with Anyone Else but Me) * Embraceable You * Five Foot Two, Eyes of Blue * I'll Be Seeing You * I'm Getting Sentimental over You * In the Still of the Night * It Don't Mean a Thing (If It Ain't Got That Swing) * Moonglow * Moonlight Serenade * My Funny Valentine * Opus One * Satin Doll * Star Dust * Stompin' at the Savoy * A String of Pearls * Sunrise Serenade * Take the "A" Train * They Can't Take That Away from Me. 80 pages.

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Additional Details
Series: Simply Series
Publisher: Alfred Music
Page Count: 80
ISBN10: 0-7390-5038-9
ISBN13: 978-0-7390-5038-5
UPC: 038081320519
SKU: 00-29144

More about this title

About the Arranger: Bernadine Johnson

Bernadine Johnson

Bernadine Johnson holds a B.A. in Music Education from Indiana Wesleyan University and has built a career as both a performer and educator. She maintains a piano studio in Fremont, Michigan, teaching students across all ages and levels, and serves as an active member of several professional organizations including the Michigan Music Teacher's Association and the Grand Rapids Piano Teacher's Forum. Her work as an adjudicator for the Michigan State Band & Orchestra Association and clinician at Indiana Wesleyan University's Piano Pedagogy Conference reflects her deep commitment to music education.

Johnson's arranging and composing work spans both educational and concert settings. She has co-authored innovative Alfred publications including A Night at the Ballet and A Night at the Opera, and her original compositions include numerous solo pieces and Scenes from The Nutcracker. Recognition of her contributions includes the Newaygo County 1999 Cultural Programs Award and a Fine Arts Department Alumni Award from Indiana Wesleyan University.

Why we love this

These arrangements honor the character of big band classics without overwhelming early-level pianists. Johnson's careful attention to phrase markings, articulations, and pedaling guidance transforms the learning experience, turning each piece into a study in stylistic interpretation rather than just note-reading. The selection itself spans the essential standards that students actually want to play.

What to expect

These arrangements capture the elegance and momentum of the big band era in a form that lets your hands move comfortably across the keyboard. There's a sophisticated simplicity at work here: melodies sing clearly while harmonies and rhythmic accompaniment give you just enough to feel the swing and shimmer of the original sounds. Playing through these pieces feels like stepping into a room where the band is playing, even when you're sitting alone at the piano.

Who it's for

Early-level piano students who want to engage with jazz standards and big band repertoire without the technical demands of concert arrangements. Adult learners returning to piano will find immediate gratification in recognizing these beloved melodies. Any pianist seeking accessible, musically rewarding material that builds confidence and style awareness belongs in this book.

How to get the most out of it

  • Pay close attention to the articulation markings. Swing-era style depends on how cleanly you separate notes and where you let phrases breathe, not just on tempo.
  • Use the pedaling suggestions as a foundation, but listen critically to how each chord resonates in your room. Adjust to match the acoustics and avoid muddiness in the left hand.
  • Work the syncopated rhythms slowly at first, isolating the hand that carries the syncopation while the other hand keeps steady time. This prevents rushing through the swing feel.
  • Shape phrases through dynamic shading as marked. The difference between a flat performance and an engaging one often lives in how you move between the marked dynamics, not just hitting them exactly.

How to use it

Build a casual recital or studio showcase entirely around this collection, pairing pieces by era or mood to create a coherent program. Alternatively, integrate individual selections throughout the year as students finish method book units, using them as stylistic enrichment and repertoire experience. These pieces also work beautifully in community outreach contexts where family members recognize the melodies immediately.

Skills your students will build

  • Swing rhythm interpretation and syncopation
  • Pedal technique and control for jazz voicings
  • Phrase shaping and dynamic interpretation
  • Jazz standards repertoire and performance style
  • Reading and executing specific articulation and expression markings

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