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Simple Gifts: SATB Choral Octavo

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Simple Gifts: SATB Choral Octavo

Arr. Mark Hayes

Item: 00-18720

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Description
Your singers will be moved by this skillful arrangement from Mark Hayes. The opening optional clarinet introduces the melody with an Americana feel. Includes fresh new verses by the arranger: "'Tis a gift to be joyful, 'tis a gift just to sing . . . for music is the greatest gift of all."

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Simple Gifts: SATB Choral Octavo comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Alfred Archive Edition: Alfred Choral Designs
Publisher: Alfred Music
Page Count: 24
UPC: 038081173603
SKU: 00-18720

More about this title

About the Arranger: Mark Hayes

Mark Hayes

Mark Hayes has composed and arranged over 1,750 published works across concert, choral, sacred, and theatrical genres. A summa cum laude graduate of Baylor University's piano performance program, Hayes has guest conducted at Lincoln Center, the National Cathedral, and Carnegie Hall, and has premiered major works including his Requiem at Lincoln Center in 2013 and again at St. Ignatius Basilica in Rome as part of a Vatican-sponsored festival in 2014.

Beyond his choral writing, Hayes is a prolific composer for solo piano with more than 100 books in print spanning gospel, classical, jazz, and Broadway styles. His theatrical work includes orchestrations for musicals and a score for Civil War Voices, which earned six awards at the Midtown International Theatre Festival. In 2010, Baylor University honored him with the Award for Exemplary Leadership in Christian Music. Hayes splits his time between conducting engagements worldwide and composing in Kansas City, Missouri.

Why we love this

Hayes treats this familiar hymn with the care of a seasoned choral composer, not a routine arranger. The addition of fresh verses that reframe "Simple Gifts" around the joy of singing and music itself gives your singers genuinely moving text to interpret, while the optional clarinet introduction anchors the piece in Americana warmth without dictating how the choir must sound.

What to expect

Warm, reflective, and genuinely celebratory. The Americana sensibility gives the arrangement an intimate, almost conversational quality, while Hayes's harmonic language adds moments of unexpected depth that lift the piece beyond simple nostalgia into something contemporary and deeply felt.

Who it's for

This octavo fits choirs of mixed abilities who want to honor a beloved piece without sacrificing musical substance. It works equally well for community choirs, church choirs, high school singers, and college ensembles seeking repertoire with emotional authenticity and cultural resonance.

How to get the most out of it

  • Shape the optional clarinet introduction as an invitation rather than a formal prelude; let it breathe and draw the singers in before the choir enters.
  • Balance the new text carefully with the familiar melody. Singers often coast through well-known tunes, but these fresh verses deserve clear diction and emotional engagement.
  • Use the recorded accompaniment to establish the harmonic framework, then encourage the choir to find their own phrasing within it—this arrangement rewards interpretation.
  • Highlight the sectional writing in the verses without sacrificing blend; Hayes gives each voice part moments to shine while keeping the texture cohesive.

How to use it

Program this for graduation ceremonies, Thanksgiving services, or spring concerts where you want a moment of reflection and gratitude. It pairs beautifully with both contemporary repertoire and classical choral standards, and its familiar melodic anchor makes it accessible to mixed-ability audiences while the arrangement keeps singers engaged throughout.

Skills your students will build

  • Balancing familiar melodies with new harmonic contexts
  • Sustained legit singing in a folk idiom
  • Clear diction in narrative text
  • Sectional awareness and blend in divided voicing
  • Emotional interpretation of reverent, introspective material

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