Silent Night and All That Jazz! Cover Image

Silent Night and All That Jazz!: Concert Band Conductor Score & Parts

$49.00 USD
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Silent Night and All That Jazz! Cover Image

Silent Night and All That Jazz!: Concert Band Conductor Score & Parts

Arr. Mark Williams

Grade: 1.5 (Easy)

Item: 00-20671

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Ho, ho, ho and feel that swingin' beat! "Silent Night" and "The First Noel" really swing in this creative treatment of those favorite Christmas carols. Your students will love the jazz rhythms and harmonies, while your audiences will be tappin' their toes! A great introduction to swing eighth notes for the young band.

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Silent Night and All That Jazz!: Concert Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Additional Details
Series: Challenger Band Series
Publisher: Alfred Music
Page Count: 118
UPC: 038081207483
SKU: 00-20671

More about this title

About the Arranger: Mark Williams

Mark Williams

Mark Williams established himself as a prolific voice in school music, composing and arranging over 200 works across band, orchestra, and choral settings. His deep roots in elementary band education—built during his years teaching in Washington state—shaped his distinctive ability to write music that challenges young musicians without overwhelming them. Williams earned degrees from Eastern Washington University and served as both a woodwind performer and arranger for the 560th Air Force Band, bringing professional musicianship to every score he created.

Throughout his career, Williams traveled extensively as a clinician and guest conductor, visiting 34 states, five Canadian provinces, and Australia, while also co-authoring the widely used Accent on Achievement Band Method. His contributions to music education earned recognition including the Western International Band Clinic's Gralia Competition and multiple ASCAP Special Awards. Beyond the page, he remained an active musician, performing bassoon regularly and serving as conductor and artistic director for the Spokane British Brass Band.

Why we love this

Williams nails the balance between accessibility and musicality here. Beginning band students often stumble over swing eighth notes and jazz phrasing, but his arrangement scaffolds both concepts naturally while keeping the familiar melodies front and center. The result feels genuine rather than simplified, giving young musicians real rhythmic and harmonic texture to sink their teeth into.

What to expect

These holiday favorites shed their traditional reverence and step into a relaxed, groove-oriented space where the melody swings gently over a bed of jazz harmonies. The arrangement maintains the warmth of the original carols while inviting listeners to tap along with an infectious, accessible rhythm.

Who it's for

Grade 1.5 bands ready to explore jazz style and swing eighth notes for the first time. This arrangement works equally well for holiday concerts and for teaching fundamental swing phrasing in a context where melody matters. Directors seeking music that connects with student interests while building genuine musicianship will find this collection immediately useful.

How to get the most out of it

  • Establish the swing feel in sectional rehearsals before bringing the full band together. Have the rhythm section lock in first, then add winds layer by layer so everyone hears the underlying groove.
  • Balance the melody between parts carefully through early rehearsals. Jazz voicings can bury the tune if one section isn't listening to the ensemble sound.
  • Work through the swing eighth note patterns with dedicated counting exercises early on. Once students internalize the rhythmic feel, the arrangements will open up naturally.
  • Use the score's dynamic and articulation markings to shape the jazz character. The difference between straight and swung eighths often lives in how crisply you execute the written accents.

How to use it

Perfect for a holiday concert that aims to balance tradition with contemporary style, or for a concert that opens with standard arrangements and closes with jazz-inflected treats. You might also program this as the first step in a winter concert series that introduces jazz playing techniques and aesthetics to the concert audience.

Skills your students will build

  • Swing eighth note rhythm and interpretation
  • Jazz harmony and voice leading
  • Ensemble balance in jazz textures
  • Listening and responding to groove and pulse
  • Phrasing across jazz articulations and accents

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