Silent Night Cover Image

Silent Night: Concert Band Conductor Score & Parts

$55.00 USD
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Silent Night Cover Image

Silent Night: Concert Band Conductor Score & Parts

Melody Mine

Arranged by Robert W. Smith, Susan L. Smith

Grade: 1.5

Item: 98-RWS182800

$55.00
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Description
The "Melody Mine" gives each member of the band the opportunity to play the melodic line while the teacher focuses on phrasing, shaping and other core musical concepts. The full band arrangement provides a lush chorale setting of the Holiday classic. Teaching creativity is also a feature of each "Melody Mine" publication. The student and/or director has the option to craft their own arrangement to feature soloist(s), instrumental choirs and full band. Master teacher Susan L. Smith has created a powerful teaching resource for use in any young band program.

Original Item#: RWS-1828-00

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Sample Pages

Sample Audio
1 Alto Sax --:--
2 Brass --:--
3 CB --:--
4 Euphonium --:--
5 Flute --:--
6 Full --:--
7 Horn --:--
8 Trumpet --:--
9 Winds --:--

Alto Sax

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Sample Video
Additional Details
Series: RWS - Beginning Band
Publisher: RWS Music Company
ISBN10: 1-4706-9550-2
ISBN13: 978-1-4706-9550-7
UPC: 038081611358
SKU: 98-RWS182800

More about this title

About the Arranger: Robert W. Smith

Robert W. Smith

Robert W. Smith stands among the most performed composers and arrangers of concert band music in the United States, with more than 400 published works spanning original compositions, arrangements, and educational pieces. His training includes a Bachelor of Music Education from Troy State University and a Master of Music from the University of Miami. Smith's works have been performed internationally across North America, Europe, Australia, and Asia, and his compositions appear regularly in educational settings as well as professional venues.

Beyond the concert hall, Smith's music has reached audiences through major television broadcasts, Olympic ceremonies, and cultural events spanning from the Macy's Thanksgiving Day Parade to Opening Day at Dodger Stadium. His gift for crafting accessible yet musically substantial arrangements for developing ensembles has made him a trusted voice in young band programs nationwide.

Why we love this

Susan L. Smith's "Melody Mine" concept transforms a familiar carol into a flexible teaching tool where every student experiences carrying the main line. The full chorale setting provides rich harmonic support while maintaining the accessibility your first-year students need, and the intentional option to build custom arrangements keeps rehearsals musically generative rather than rote.

What to expect

A warm, accessible holiday moment that feels both familiar and freshly arranged. The lush harmonic backdrop cradles the melody with kindness, creating space for young musicians to feel supported while they learn to shape and project the line with intention.

Who it's for

First-year and developing concert bands working at Grade 1.5 who want to program holiday music without sacrificing musical substance. This works equally well for groups building confidence in unison playing and part independence, and for directors seeking material that teaches phrasing and arrangement concepts through students' active participation.

How to get the most out of it

  • Balance the melodic voices against the harmonic foundation so that wherever the melody sits in the band, it sings through clearly without dominating the overall texture.
  • Experiment with the arrangement options during rehearsal by having different sections carry the melody in succession; this builds ownership and deepens students' understanding of how the arrangement supports the tune.
  • Shape each phrase as a complete musical thought, encouraging long lines even at this grade level; the chorale setting invites legit phrasing that elevates a simple melody.
  • Use the familiar tune to focus on blend and balance within your sections rather than note-getting, since most students already know the tune and can commit cognitive energy to listening and responding to your gesture.

How to use it

Schedule this for a winter or holiday concert as a palate cleanser alongside more complex repertoire, or use it as a teaching piece in October and November to develop phrasing skills before your holiday performance. The built-in flexibility to feature different instrumental combinations makes it valuable across multiple rehearsals and concert dates.

Skills your students will build

  • Carrying a primary melodic line with clarity and projection
  • Shaping phrases with intentional phrasing and breath placement
  • Supporting melodic voices through secondary harmonic roles
  • Listening for blend and balance across instrumental sections
  • Understanding arrangement choices and how they affect musical impact

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