Signifying Riffs: Unison Cover Image

Signifying Riffs: Unison: Contemporary Small Ensemble

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Signifying Riffs: Unison Cover Image

Signifying Riffs: Unison: Contemporary Small Ensemble

For String Quartet and Percussion

By George Lewis

Item: 98-EP68697

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Description

Over the course of a diatonic, eight-minute movement, George Lewis's Signifying Riffs: Unison for string quartet and percussion features an atmospheric accompaniment from the percussion and violins, against solos from the cello and viola that gradually develop into a resolute unison melody.



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Additional Details
Series: Edition Peters
Publisher: Edition Peters
Page Count: 12
ISBN10: 0-30-076210-0
ISBN13: 979-0-30-076210-4
SKU: 98-EP68697

More about this title

About the Composer: George Lewis

George Lewis is a composer and bandleader whose work spans contemporary classical music, jazz, and experimental improvisation. His compositions often explore the intersection of notated score and improvisational practice, drawing on African American musical traditions and extended instrumental techniques to create pieces that challenge conventional ensemble hierarchies.

Why we love this

Lewis writes for chamber ensembles with real compositional sophistication and genuine respect for what string players can do. The gradual emergence of unison from individual voices creates a satisfying arc that rewards careful ensemble listening and demonstrates how texture and role can shift dramatically within a single movement.

What to expect

Atmospheric and deliberate, the piece unfolds through a haze of shimmering string textures punctuated by cello and viola voices that gradually coalesce. The eight-minute span feels unhurried, building quiet intensity as individual lines find their way toward collective voice.

Who it's for

This work suits quartets and small chamber ensembles with secure intonation and the ability to sustain long tones with character. It is ideal for contemporary music festivals, recitals featuring modern chamber works, or ensembles exploring the intersection of classical notation and improvisation-influenced composition.

How to get the most out of it

  • Establish the atmospheric foundation in the strings and percussion first; the soloists should feel anchored by this textural ground rather than floating above it.
  • Shape the transition from solo material to unified melody as a collective breath rather than a sudden shift; the development should feel inevitable.
  • Balance the cello and viola solos carefully against the accompaniment so each voice remains distinct even when layered with sustained textures.

How to use it

Pair this with other contemporary chamber works to create a full recital focused on modern composition, or position it as an intermission anchor that demands focused listening. Its diatonic language and relatively accessible contemporary idiom makes it approachable for audiences new to experimental chamber writing.

Skills your students will build

  • Sustaining long tones with dynamic control and tonal consistency
  • Listening to multiple simultaneous lines and maintaining rhythmic independence
  • Balancing solo and accompaniment roles within a chamber texture
  • Responding to gradual textural and harmonic development over extended time

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