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Sighting at Loch Ness: String Orchestra Conductor Score & Parts

$55.00 USD
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Sighting at Loch Ness Cover Image

Sighting at Loch Ness: String Orchestra Conductor Score & Parts

By Gayley Hautzenroeder

Grade: 3

Item: 36-50250141

$55.00
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Description
A dramatic, mysterious, descriptive work in E minor, Sighting at Loch Ness is aimed at increasing musicianship in the orchestra. The first violin melody incorporates Scottish-sounding ornamentation and shifting and the harp (piano) has some intense glissandi. Violins perform glissandi to harmonics in preparation for shifting. If you include a fog machine, you might have some Nessie sightings in your own performance venue!

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Additional Details
Series: LudwigMasters Concert Strings
Publisher: Keiser Productions, Inc.
ISBN10: 1-68296-674-7
ISBN13: 978-1-68296-674-7
UPC: 746241276032
SKU: 36-50250141
Instrumentation: Harp, Piano, and String Orchestra

More about this title

Why we love this

Hautzenroeder crafts a piece that demands genuine musicianship from every section while staying firmly rooted in Grade 3 technique. The Scottish melodic gestures feel authentic without requiring players to master highland fiddle idioms, and the dramatic arc gives orchestras a chance to tell a coherent story rather than simply play notes in time.

What to expect

Mysterious and cinematic, with an underlying tension that never quite settles. The Scottish ornamentation in the violin melody gives the piece a folk quality, while glissandi and harmonic effects create an eerie, supernatural atmosphere that the fog machine transforms into genuine theater.

Who it's for

String orchestras in grades 3-4 seeking a programmatic work that entertains audiences while developing real ensemble discipline. Directors who want their students to experience how orchestration, special effects, and musical storytelling work together.

How to get the most out of it

  • Work the glissandi passages in violin I separately from the melodic line; these transitions to harmonics need isolation before they integrate smoothly into the overall texture.
  • The harp or piano glissandi will read as chaotic unless you establish clear harmonic timing with the conductor's beat during rehearsal. Mark the exact pulse for each glissando entry in the parts.
  • Build the mysterious atmosphere gradually. Early sections should feel hushed and exploratory; reserve the full orchestra sound for the climactic moments.
  • If you use a fog machine, run a complete technical rehearsal with lighting and effects at performance pitch so string players aren't startled by sudden stage changes.

How to use it

Perfect for a Halloween or October concert where audience members expect more ambitious orchestral color. You might program it alongside other descriptive works or as the centerpiece of a concert themed around Scottish music and legend.

Skills your students will build

  • Executing glissandi to harmonics on violin
  • Shifting smoothly under ornamented melodic passages
  • Ensemble balance with harp or piano glissandi as textural centerpieces
  • Responding to programmatic direction without losing technical precision
  • Maintaining intonation through extended technique passages

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