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Sight-Read It for Strings: Violin Book

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Sight-Read It for Strings: Violin Book

Improving Reading and Sight-Reading Skills in the String Classroom or Studio

By Andrew H. Dabczynski, Richard Meyer, and Bob Phillips

Item: 00-25259

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Description
A comprehensive supplement for classroom or studio in a unique format, Sight-Read It for Strings will develop consistent reading habits and improve sight-reading for violin, viola, cello and bass students. Using a non-sequential unit format, materials are flexible and can be individualized.

Sight-Read It for Strings develops consistent reading habits by addressing:
-Counting System
-Identification of musical and non-musical cues
-Identification of musical patterns
-Awareness of the music page layout (the "road map")
-Special reading issues not necessarily related to notes

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Additional Details
Publisher: Alfred Music
Page Count: 32
ISBN10: 0-7390-3970-9
ISBN13: 978-0-7390-3970-0
UPC: 038081271422
SKU: 00-25259
Instrumentation: Violin

More about this title

About the Composer: Andrew H. Dabczynski

Andrew H. Dabczynski

Andrew H. Dabczynski served as Emeritus Professor of Music Education at Brigham Young University, where he founded and directed the BYU New Horizons Orchestra, an ensemble designed for beginning adult string players and as a training ground for string educators. His contributions to music education earned him BYU's Joseph E. White Fellowship for Teaching and Learning, and Utah ASTA recognized him as Higher Education Teacher of the Year in 2005 and later for Outstanding Contributions to Music Education in 2014.

Dabczynski's career spans teaching and administrative roles at the Eastman School of Music and in public school systems across New York and Michigan. As a performer, he played viola with regional orchestras including the Rochester Philharmonic, Hartford Symphony, and Portland Symphony, and was a six-year member of the Colden String Quartet at Western Michigan University. His scholarly interests in string pedagogy, fiddling traditions, and ethnomusicology have shaped his reputation as a leading voice in string education and his collaborative work on the String Explorer method series.

Why we love this

This resource tackles a genuine challenge in string instruction: sight-reading fluency that sticks. Rather than isolating note reading, Dabczynski and his co-authors build a comprehensive reading toolkit that addresses rhythm patterns, page layout navigation, and the non-musical cues (dynamics, articulation marks, tempo changes) that proficient readers use instantly. The flexible, non-sequential format lets you target exactly what your students struggle with most, whether that's counting consistency or pattern recognition.

What to expect

Focused and purposeful. Each unit isolates a specific reading challenge, so students experience steady progress rather than feeling overwhelmed by the entire page. The format respects different learning paces and lets violinists build competence in concrete, achievable steps.

Who it's for

String teachers working with violinists in both classroom and private studio settings who want a structured but flexible approach to building sight-reading confidence. This works equally well for developing younger readers and for adult students returning to the instrument, since the units address fundamental reading habits without assuming prior knowledge.

How to get the most out of it

  • Start with one unit at a time rather than working through sequentially. Identify a specific reading habit your students need to strengthen (rhythm counting, pattern recognition, or page layout awareness) and anchor your daily warm-up there.
  • Use the materials in both group and individual contexts. A passage that confuses your section can become a focused studio assignment that clarifies the concept before the next rehearsal.
  • Pair new reading skills with repertoire your ensemble is already learning. When a student masters a rhythmic pattern from this book, have them apply it immediately to the piece you're preparing.

How to use it

Integrate this as a cornerstone of your warm-up rotation throughout the year. You might spend two weeks on counting system consistency before fall concert season, then return to pattern recognition as concert season ends. The non-sequential design lets you weave it into rehearsal rhythm without disrupting your core repertoire study.

Skills your students will build

  • Counting system consistency and independence
  • Recognition of musical patterns across different contexts
  • Reading non-musical cues (dynamics, articulations, tempo indications) without hesitation
  • Page layout navigation and strategic previewing
  • Awareness of rhythm and meter relationships

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