Side by Side: Part 2A Cover Image

Side by Side: Part 2A: Piano Duet (1 Piano, 4 Hands) Book

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Side by Side: Part 2A Cover Image

Side by Side: Part 2A: Piano Duet (1 Piano, 4 Hands) Book

Duets for Teacher and Student

By Ted Cooper and Amy Glennon

Item: 00-0689

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Description
These musically appealing solos and imaginative accompaniments combine in duets that bring student and teacher together in a fun and pedagogically sound way. The Side by Side books are designed to coordinate with the Music Tree series, but can be used with any interval-based reading method.

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Additional Details
Series: Frances Clark Library
Publisher: Alfred Music
Page Count: 24
ISBN10: 0-87487-689-3
ISBN13: 978-0-87487-689-5
UPC: 654979014409
SKU: 00-0689

More about this title

About the Composer: Ted Cooper

Ted Cooper has established himself as a thoughtful voice in piano pedagogy, creating works that prioritize musical substance alongside technical accessibility. His contributions to the Frances Clark Library reflect a deep understanding of how student pianists learn best: through pieces that engage their musicality while building foundational skills.

Why we love this

These duets strike the balance every teacher seeks: the student part feels like a real piece to play, not a simplified placeholder, while the accompaniment enhances rather than overshadows. The pairing of solos with imaginative accompaniments creates genuine musical conversations at the keyboard, turning what could be a dry technical exercise into something students actually want to perform.

What to expect

Opening these pages reveals music that sounds complete and satisfying, not pared-down. The student parts have melodic shape and purpose; the accompaniments provide harmonic color and rhythmic energy that make the duets feel genuinely musical from both seats at the piano.

Who it's for

This book serves piano students working through interval-based reading methods who benefit from ensemble experience at the lesson. Teachers using the Music Tree series will find these duets coordinate naturally with their students' technical development, though the book works equally well alongside other interval-focused approaches.

How to get the most out of it

  • Establish clear communication about tempo and character before playing together. A few measures of the accompaniment alone helps the student understand the musical context they're entering.
  • Balance the two parts by positioning yourselves so you can see each other's hands. This supports natural ensemble listening and makes adjustments easier.
  • Experiment with dynamic contrast between the student solo and accompaniment. The accompaniment's imaginative writing often suggests musical ideas worth bringing forward or softening.
  • Practice the transition points where musical ideas shift between hands. These moments define the duet's overall shape.

How to use it

Build informal studio performances around these duets, pairing them with solo repertoire for a more varied recital. The 24 pages provide enough material to rotate through over several months of lessons, giving students regular ensemble time without requiring separate repertoire purchases.

Skills your students will build

  • Reading intervals with confidence in treble clef
  • Playing rhythmically accurate parts within a duet texture
  • Listening and responding to an accompaniment while maintaining independence
  • Understanding phrase shape and musical direction in relation to another part
  • Coordinating with a partner to achieve musical balance and clarity

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