Shut Up and Dance: TTB Choral Octavo
Recorded by Walk the Moon
Words and music by Ryan McMahon, Benjamin Berger, Nicholas Petricca, Sean Waugaman, Kevin Ray, and Eli Maiman / arr. Andy Beck
Item: 00-PO-0002430
Minimum order quantity: 20 copies
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Why we love this
Andy Beck's arrangement captures the infectious energy of the original without demanding technical virtuosity, making it genuinely fun to rehearse and perform. A pop hit that actually sits well for TTB voices, with enough rhythmic drive and harmonic interest to keep singers engaged through multiple rehearsals. Programming this signals to your choir that contemporary repertoire belongs in concert, not just in YouTube playlists.
What to expect
Bright, propulsive, and irresistibly danceable, with that feel-good pop sensibility that made the original a hit. The arrangement gives singers permission to have fun while maintaining musical integrity, hitting that sweet spot between accessibility and genuine musicality.
Who it's for
TTB choirs wanting accessible, high-energy pop repertoire that feels current without requiring advanced musicianship. Works especially well for groups that need an audience-friendly closer or an opener that sets a celebratory tone.
How to get the most out of it
- Nail the rhythmic precision in the spoken/chanted sections; they set the groove and lose their punch if the ensemble isn't locked together.
- Keep the energy up through slower passages by maintaining lift in the phrasing rather than letting dynamics drop entirely.
- Layer in the recorded accompaniment during dress rehearsals to ensure singers feel confident with the full production sound before performing live.
How to use it
Perfect as a concert finale or the opening number in a casual or contemporary-themed program. Pairs naturally with other upbeat pop selections and can anchor a set focused on modern repertoire or audience engagement.
Skills your students will build
- Rhythmic precision in syncopated passages
- Maintaining clarity and energy through pop-style vocal production
- Balancing unison and harmonic sections in contemporary arrangements
- Responding to recorded accompaniment cues and tempo