Shut Up and Dance: 3-Part Mixed Choral Octavo
Recorded by Walk the Moon
Words and music by Ryan McMahon, Benjamin Berger, Nicholas Petricca, Sean Waugaman, Kevin Ray, and Eli Maiman / arr. Andy Beck
Item: 00-PO-0002429
Minimum order quantity: 20 copies
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More about this title
Why we love this
Andy Beck's arrangement captures every ounce of the original's infectious energy while keeping the three-part writing clean and singable. The SAB voicing lets singers focus on nailing the rhythmic precision and attitude the song demands, rather than wrestling with range issues. This is the kind of pop arrangement that makes rehearsal fun and gets audiences genuinely excited about what your choir does.
What to expect
Pure joy and movement. The arrangement maintains the original's relentless upbeat pulse and sing-along quality, turning the choir into a celebration rather than a formal performance. Every choir member feels part of something current and fun, even as they're learning real musicianship.
Who it's for
Choirs comfortable with contemporary pop repertoire and singers who thrive on high-energy material with clear rhythmic drive. It works equally well for middle school, high school, and adult community choirs looking for an accessible crowd-pleaser that doesn't sacrifice musicality.
How to get the most out of it
- Lock in the groove as an ensemble before worrying about blend. The rhythmic cohesion matters more than perfect vowel unification in this style. Once the pocket is solid, the attitude will follow naturally.
- Lean into the character of the song during rehearsal. Encourage singers to own the confidence in lines like 'She said, "Shut up and dance with me!"' The performance quality improves when they understand they're not just singing notes; they're selling a moment.
- Use the recorded accompaniment to establish and maintain tempo consistency. This song lives or dies by its forward motion, and having a steady reference keeps everyone locked in.
- Mark dynamic and rhythmic accent patterns clearly in the score during early rehearsals. The pop idiom relies on precision in these details to create the intended punch.
How to use it
Pair this with other contemporary pop selections to showcase your choir's range beyond traditional classical literature, or use it as the finale of a concert where you want audiences leaving with the biggest smile. It's also a natural fit for school assemblies, talent shows, and any context where you want to prove choirs can be genuinely entertaining.
Skills your students will build
- Rhythmic precision in syncopated pop idiom
- Stylistic interpretation of contemporary music
- Blend and balance in homophonic SAB texture
- Confidence performing energetic, attitude-driven material
- Integration of recorded accompaniment into live performance