Shufflin' in F: Jazz Ensemble Conductor Score

$17.95 USD

Shufflin' in F: Jazz Ensemble Conductor Score

Name: Shufflin' in F: Jazz Ensemble Conductor Score
Brand: Alfred Music
SKU: 01-ADV34006-1
Price: 17.95 USD
Availability: InStock

By Jim Snidero / arr. Dave Rivello

Item: 01-ADV34006-1

$17.95

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"Shufflin' in F" is a medium swinging blues chart that opens with a short vamp figure. The theme is stated contrapuntally leading to the first ensemble figure which is a send-off to the bass solo. Similar ensemble material is then used as a send-off for the alto solo (optional written solos are provided for both soloists). The opening vamp material is then used for the final ensemble before the restatement of the theme.

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Shufflin In F

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Series: Advance Music: Big Band Plus

Publisher: Advance Music

SKU: 01-ADV34006-1

More about this title

About the Composer: Jim Snidero

Jim Snidero has spent more than three decades establishing himself as one of jazz's most accomplished alto saxophonists, composers, and educators. Downbeat Magazine has recognized him as both a "master musician" and "alto saxophone virtuoso," and his work earned him a placement in the 2017 Downbeat Critic's Poll. His trajectory began in Camp Springs, Maryland, where early musical training at home and in school laid the foundation for what would become a distinguished career.

After studying with Phil Woods as a teenager and serving as a member of the One O'Clock Lab Band at the University of North Texas, Snidero moved to New York in 1981 and quickly established himself through sideman work with Brother Jack McDuff, the Mingus Big Band, Frank Wess, the Toshiko Akiyoshi Jazz Orchestra, and others. His recording career as a leader spans decades of stylistic range and consistent artistry, from his 1987 debut Mixed Bag through numerous critically acclaimed releases. Snidero continues to contribute to jazz through performance, composition, and education.

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Why we love this

This chart balances accessibility with genuine swing sophistication. The contrapuntal theme statement and well-designed solo vehicles (both written and open) give students a real structure to navigate while maintaining the conversational feel of blues ensemble playing. The vamp-based architecture makes it teachable at the section level without sacrificing the musical payoff a full ensemble hears.

What to expect

A relaxed but purposeful blues that grooves from the first vamp. The interplay between ensemble figures and solo space creates room for conversation; you can feel the band listening and responding rather than simply accompanying. There's elegance in the economy of the writing and genuine swing in the feel.

Who it's for

Jazz ensemble conductors looking for a medium-difficulty blues chart that develops both ensemble cohesion and solo confidence. The optional written solos make it suitable for mixed ability ensembles, while the compositional sophistication keeps advancing groups engaged.

How to get the most out of it

Keep the opening vamp tight and restless; the rhythm section should lock the groove before the theme enters so soloists have a stable foundation.
Treat the ensemble send-offs as reactions rather than interruptions. They should respond to the soloist's energy and push forward into the next section.
Balance transparency in the contrapuntal theme statement. Each voice line needs clarity so the interweaving of parts reads as dialogue, not dense harmony.
Let the written solo options serve as scaffolding rather than requirements. Students ready to improvise should feel encouraged to take the space; those using the written solos should own them fully.

How to use it

Program this as a showcase for your ensemble's ability to support soloists in a blues context. The medium tempo and familiar blues structure make it an excellent teaching performance when you want to highlight individual musician growth without the complexity of a full big band feature.