Shout It Out Loud: Marching Band Conductor Score

$8.00 USD

Shout It Out Loud: Marching Band Conductor Score

Name: Shout It Out Loud: Marching Band Conductor Score
Brand: Alfred Music
SKU: 00-43903S
Price: 8.00 USD
Availability: InStock

As Recorded by KISS

Words and music by Paul Stanley, Gene Simmons, and Bob Ezrin [KISS] / arr. Victor López

Grade: 3 (Medium)

Item: 00-43903S

$8.00

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Get ready to rock the house with this dynamic arrangement of a tune made famous by the legendary band KISS. It starts off big and bold and just keeps on coming! (2:00)

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Series: Mega Sounds for Marching Band

Publisher: Alfred Music

Page Count: 8

UPC: 038081501338

SKU: 00-43903S

More about this title

About the Composer: Paul Stanley

Paul Stanley co-founded KISS in 1973 and has been the band's primary songwriter and rhythm guitarist throughout their five-decade career. His songwriting style blends hard rock energy with accessible hooks and anthemic choruses, making KISS one of the most recognizable acts in rock history. Stanley's compositions have demonstrated remarkable staying power in popular culture, which translates well into arrangements that engage student musicians through music they already know and respect.

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Why we love this

Victor López's arrangement captures the swagger and drive of the original without losing sight of what makes it work on the field. The Grade 3 difficulty means your students get to play a genuinely cool song that builds their confidence, and audiences respond immediately to music they recognize. It's the kind of opener that gets fans on their feet.

What to expect

Controlled power from the first downbeat. The arrangement channels arena rock energy through a marching band lens, with the kind of forward momentum that makes audiences lean in. It's celebratory and bold without ever feeling cheap.

Who it's for

Band directors looking for a rock-based opener that speaks to students' actual musical world while remaining musically substantial enough for a full marching program. This works for schools wanting to break the classical-only mold without sacrificing musicality or technical growth.

How to get the most out of it

Lock the backfield pulse tight. The groove depends on consistent articulation across the battery and low brass, so establish that pocket early in rehearsal.
Shape the dynamics deliberately through each section. This piece "just keeps on coming," so track where intensity peaks and let quieter moments breathe intentionally rather than letting energy drift.
Balance the horn line against the rhythm section so the melody cuts through without drowning out the drive underneath.
Mark your drill carefully for the transitions. With a two-minute runtime and multiple peaks, spacing and timing between sections will determine whether the piece feels relentless or rushed.

How to use it

Open a fall or spring competition set with this. Its familiarity hooks the audience immediately, and the two-minute duration leaves room for contrasting selections that showcase different facets of your program. It also works as a crowd-warming finale before a playoff round.