Shout It Out Loud: Marching Band Conductor Score & Parts

$55.00 USD

Shout It Out Loud: Marching Band Conductor Score & Parts

Name: Shout It Out Loud: Marching Band Conductor Score & Parts
Brand: Alfred Music
SKU: 00-43903
Price: 55.00 USD
Availability: InStock

As Recorded by KISS

Words and music by Paul Stanley, Gene Simmons, and Bob Ezrin [KISS] / arr. Victor López

Grade: 3 (Medium)

Item: 00-43903

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Get ready to rock the house with this dynamic arrangement of a tune made famous by the legendary band KISS. It starts off big and bold and just keeps on coming! (2:00)

Don't just read it, hear it, play along with it, and watch your students grow with it. In MakeMusic Cloud, Shout It Out Loud: Marching Band Conductor Score & Parts comes alive with professional accompaniment, adjustable tempo, and built-in practice tools that turn solo practice into real progress.

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Series: Mega Sounds for Marching Band

Publisher: Alfred Music

Page Count: 110

UPC: 038081501321

SKU: 00-43903

More about this title

About the Composer: Paul Stanley

Paul Stanley is the guitarist and co-lead vocalist of KISS, one of rock music's most theatrical and commercially successful bands. Since the 1970s, Stanley has written or co-written many of KISS's anthemic hits, establishing himself as a craftsman of arena rock with memorable hooks and larger-than-life production values.

For music educators, Stanley's songwriting demonstrates how strong melodic ideas and straightforward harmonic structures can sustain massive audiences and enduring cultural relevance. His compositions often feature clear, repetitive hooks and dynamic shifts that translate effectively to ensemble arrangements.

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Why we love this

Victor López's arrangement captures everything that makes this KISS classic work as a marching band showstopper: maximum energy from the opening, strategic layering that keeps forward momentum alive across two minutes, and the kind of crowd-friendly rock attitude that marching students actually want to perform. Grade 3 accessibility means the full ensemble gets to play the riff, not just the brass section.

What to expect

A wall of sound that never stops moving. The piece opens with swagger and maintains that confidence throughout, shifting between moments of unified punch and sections where individual voices color the texture. It's the musical equivalent of a stadium moment: anthemic, propulsive, and built for volume.

Who it's for

Marching bands seeking accessible rock repertoire that energizes students and audiences alike. This arrangement works for competitive programs needing a show piece that demands tight execution without extreme technical range, and for groups looking to program something recognizable and fun alongside traditional fare.

How to get the most out of it

Establish the opening statement as THE moment. Precision and attack matter more than subtlety here; lock the entire ensemble on the unison figure before anything else.
Map the dynamic arc across the full arrangement and rehearse transitions explicitly. The piece builds continuously, so clarify where swell points occur and which sections carry the lead.
Balance the rhythm section so it propels rather than crowds the melody. Kick drum and bass line should sit as the engine; horns and percussion sit on top of that foundation.
Emphasize crisp articulation throughout. This is rock, not classical, but clarity of rhythm matters as much as attitude does.

How to use it

Program this as a crowd-pleaser during field show season or as a standalone feature in a concert setting. The two-minute length fits neatly into a medley or festival program, and it pairs well with other rock or contemporary music for a theme-driven first half.